\r\nEt puis nous parlerons du \u003Cstrong>Salvator Mundi\u003C/strong>, un tableau peut-être de la main de \u003Cstrong>Léonard de Vinci \u003C/strong>et qui reste pour le moment le tableau le plus cher du monde. Nous avons rencontré \u003Cstrong>Antoine Vitkine et Sébastien\u003C/strong> Borgeaud, ils ont mené l’enquête, dans une bande dessinée publiée chez Futuropolis, pour comprendre pourquoi ce tableau a affolé le marché de l’art .\u003Cbr />\r\nEnfin connaissez-vous la légende de \u003Cstrong>Mazeppa \u003C/strong>? \u003Cstrong>Chantal Christin \u003C/strong>de RCF Avignon nous la racontera à l’occasion d’une présentation de deux tableaux presque identiques au \u003Cstrong>Musée Calvet\u003C/strong>.\u003Cbr />\r\nVoilà du cinéma, de la peinture et peut-être même quelques grammes de grâce, c’est Effervescence dans vos oreilles.\u003C/p>\r\n\r\n\u003Cp>Avec \u003Cstrong>Delphine Freyssinet, Valerie de Marnhac et François Huguenin\u003C/strong>\u003C/p>\r\n\r\n\u003Cp>Musique : \u003Cstrong>Le Boléro par Michel Petrossian, Kyrie for the Magdalene de Richard Harvey, Mazeppa de Franz Liszt, Untouched de The Gentle spring\u003C/strong>\u003C/p>\r\n\r\n\u003Cp>Citations : “\u003Cem>\u003Cstrong>Faites que votre tableau soit toujours une ouverture au monde.\u003C/strong>\u003C/em>”\u003Cbr />\r\nLéonard de Vinci\u003C/p>\r\n\r\n\u003Cp>“\u003Cem>\u003Cstrong>Je sais que tu peux te battre, mais c’est ton esprit qui fait de toi un homme.\u003C/strong>\u003C/em>”\u003Cbr />\r\nMel Gibson dans Braveheart\u003C/p>\r\n",[15],{"alt":58,"url":59,"url_carre":9,"copyright":58},"Salvator Mundi attribué ou pas à Léonard de Vinci","https://assets-prep.radiorcf.com/styles/{style_name}/assets/2025-01/Leonardo_da_Vinci_or_Boltraffio_%28attrib%29_Salvator_Mundi_circa_1500.jpg.webp",{"id":61,"title":62,"alias":63,"visual":64,"description":67},"32367","Effervescence","/culture/effervescence",{"url":65,"alt":66,"url_carre":8,"alt_carre":8},"https://media.rcf.fr/sites/default/files/styles/{style_name}/public/2023-10/Effervescence.png.webp","©RCF","\u003Cp>Le magazine de l’étonnement culturel. Chaque semaine, trois à quatre passionnés de culture, issus du réseau RCF ou d’autres médias, viennent partager leurs découvertes et leurs enthousiasmes dans tous les domaines de la culture et de la création artistique.\u003C/p>\r\n","3541176",[70],{"id":39,"name":40,"code":41,"shortname":42,"liveURL":43,"alias":9,"region":71,"channelId":47},{"id":45,"name":46},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/8fd431616ec8d7782a6993f7d781b54cf175a7ea738fd700c308bb45b3fd0705.mp3",{"podcast_not_roll":74},false,"1737663760",{"type":12,"alias":77,"id":78,"author":79,"title":80,"meta_title":80,"og_title":80,"description":81,"meta_description":81,"og_description":81,"published":82,"published_time":83,"datetime":84,"changed":85,"changed_time":86,"created":82,"visual":87,"tags":90,"radios":93,"episode":104,"published_unix_time":135},"/articles/culture/solaris-1972-de-andrei-tarkovski-les-voix-de-la-planete-sont-impenetrables","54247","Jean-Marc Reichart","\"Solaris\" (1972) d'Andreï Tarkovski: Le chant piégé des étoiles","\u003Cp>Un labyrinthe d’ombres, un dédale où la pensée vacille, voilà ce qu’Andreï Tarkovski livre au spectateur avec Solaris. Bien loin d’un simple objet cinématographique, cette adaptation d'un roman de Stanislas Lem transcende les ornières du récit de science-fiction pour devenir une fresque mystique, un miroir trouble où s’ébattent des âmes hantées.\u003Cbr />\r\nNous sommes en 1972. L’Union soviétique, ivre d'ambitions impériales qu'elle est censée combattre, cherche à produire un équivalent au monumental 2001 : l’Odyssée de l’espace de Stanley Kubrick. Mais Tarkovski, ce poète malgré lui, détourne la commande avec une ironie tacite : il dédaigne les oripeaux technophiles de la SF pour embrasser une quête plus essentielle, plus grande. Celle de créer, presque par accident, le pendant soviétique d'un genre encore jeune. Cette fameuse \"hard SF\", une science-fiction aux atours métaphysiques délestée de ses rouages lourds et convenus.\u003Cbr />\r\nAssurément, chez le cinéaste russe, l’univers n’est pas un terrain de conquête scientifique, mais une énigme insondable qu'il faut traiter comme telle. Ainsi, Solaris, planète-cerveau baignée d’un océan palpitant, incarne l’Inconnu, un mystère sacralisé que ni les instruments ni les axiomes humains ne sauraient percer.\u003Cbr />\r\nDécryptage et analyse de Jean-Marc Reichart.\u003C/p>\r\n","20 novembre 2024","14:48","2024-11-20T14:48:31+01:00","15 janvier 2025","15:28",{"url":88,"alt":89,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-11/Solaris.jpeg.webp","Donatas Banionis dans \"Solaris\" (1972) d'Andreï Tarkovski",[91,92],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},[94],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":101,"channelId":9},"34353","RCF Liège","RCFLiege","Liège","//rcf.streamakaci.com/rcfliege.mp3","/liege",{"id":102,"name":103},"33499","Belgique",{"id":105,"type":50,"title":106,"digas":107,"published":108,"datetime":109,"description":110,"url_linked_article":77,"presenters":111,"visual":113,"show":115,"duration":121,"radios":122,"audio_file":133,"rolls":134},"206025","Solaris (1972) d'Andreï Tarkovski 1/2 - L'altérité absolue","LI-31638","18 août 2022","2022-08-18T00:00:00+02:00","Au fin fond de l'eqpace, face à une planète inconnue capable d'engendrer les figures humaines qui hantent leur mauvaise conscience, trois scientifiques interrogent la condition humaine. Telle est la situation exposée dans le monument cinématographique que constitue Solaris, réalisé en 1972 par Andreï Tarkovski. Pour en parler, Laurent Verpoorten reçoit Jean-Marc Reichart et Dimitri Laermans.",[112],"Laurent Verpoorten",{"alt":40,"url":114,"url_carre":8,"copyright":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-04/Culture-loeil-de-dieu.png.webp",{"id":116,"title":117,"alias":118,"visual":119,"description":120},"2190","L'oeil de Dieu","/culture/loeil-de-dieu",{"url":114,"alt":40,"url_carre":8,"alt_carre":8},"\u003Cp>Depuis ses origines, le cinéma n'a cessé d'illustrer, d'enseigner ou de mettre en question la foi chrétienne.\u003C/p>\r\n\r\n\u003Cp> \u003C/p>\r\n\r\n\u003Cp>Qu'il s'agisse de Dieu lui-même, de Jésus, des saints et des saintes ou des valeurs catholiques, l'enjeu demeure identique : amener au visible ce qui par définition est invisible.\u003C/p>\r\n\r\n\u003Cp> \u003C/p>\r\n\r\n\u003Cp>Dans \u003Cem>L'oeil de Dieu\u003C/em>, Laurent Verpoorten et Jean-Marc Reichart vous proposent de redécouvrir les grandes œuvres cinématographiques religieuses anciennes et contemporaines afin d'en goûter la profondeur.\u003C/p>\r\n","1800120",[123,125],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":124,"channelId":9},{"id":102,"name":103},{"id":126,"name":127,"code":128,"shortname":129,"liveURL":130,"alias":131,"region":132,"channelId":9},"34358","RCF Namur","RCFSudBe","Namur","//rcf.streamakaci.com/rcfsudbe.mp3","/namur",{"id":102,"name":103},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/0f93cb8ebd7648aaf01920833021c04b8b41c068c6760585813fe0396bc1ca4e.mp3",{"podcast_not_roll":74},"1732110511",{"type":12,"alias":137,"id":138,"author":79,"title":139,"meta_title":139,"og_title":139,"description":140,"meta_description":140,"og_description":140,"published":141,"published_time":142,"datetime":143,"changed":141,"changed_time":144,"created":141,"visual":145,"tags":148,"radios":151,"episode":154,"published_unix_time":173},"/articles/culture/jeanne-darc-1999-de-luc-besson-comment-tuer-jeanne-une-deuxieme-fois","53340","Jeanne d'Arc (1999) de Luc Besson: comment tuer Jeanne une deuxième fois.","\u003Cp>Dans la niche des films historiques ratés, deux tendances majeures prédominent. Tout d'abord, le film dit \"grand spectacle\" à la réalisation souvent impeccable, mais bourrée de faits inventés, inexacts voire anachroniques. Si des œuvres comme \"Napoléon\" de Ridley Scott ou \"Troie\" de Wolfgang Petersen réussissent haut la main leur pari cinématographique, le pendant historique de leurs films demeure, lui, nettement plus discutable. Côtoyant un peu honteusement ces grosses productions, parlons enfin du navet historique qui, lui, se prend tout autant au sérieux mais n'a clairement pas les moyens de ses ambitions. On retrouve entre autres, dans cette catégorie, \"Vercingétorix\" de Jacques Dorfmann ou le bancal \"Vaincre ou mourir\" de Vincent Mottez et Paul Mignot. Des films baclés qui fleurtent avec l'amateurisme lorsqu'ils ne tombent pas carrément dedans.\u003C/p>\r\n\r\n\u003Cp>\u003Cbr />\r\nMais au-delà de toutes ces catégories, transcendant la médiocrité, un film incarne la quintessence des tares mentionnées ci-dessus. Un film indigne dont le traitement formel et les intentions propulsent celui-ci au Panthéon des adaptations historiques totalement à côté de la plaque. Une mise au point de Jean-Marc Reichart.\u003C/p>\r\n","10 octobre 2024","08:40","2024-10-10T08:40:52+02:00","09:51",{"url":146,"alt":147,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-10/joan_of_arc_98-_1_.jpg.webp","Extrait du film \"Jeanne d'Arc\" de Luc Besson - 1999",[149,150],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},[152],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":153,"channelId":9},{"id":102,"name":103},{"id":155,"type":50,"title":156,"digas":157,"published":158,"datetime":159,"description":160,"url_linked_article":137,"presenters":161,"visual":162,"show":163,"duration":165,"radios":166,"audio_file":171,"rolls":172},"392566","Jeanne d'Arc (1999) de Luc Besson - Critique hystérique","LI-71445","18 juillet 2023","2023-07-18T00:00:00+02:00","Curieux film que le Jeanne d'Arc réalisé en 1999 par le cinéaste français Luc Besson... Dans les 2 premiers tiers du film, la foi profonde et le courage physique de la sainte patronne de la France sont mis en avant de manière exemplaire pour être curieusement discrédités dans la dernière partie du film. Un film sans point de vue, ce qui n'est pas le cas de Jean-Marc Reichart et Laurent Verpoorten qui l'analyse dans l'émission d'aujourd'hui.",[112],{"alt":40,"url":114,"url_carre":8,"copyright":8},{"id":116,"title":117,"alias":118,"visual":164,"description":120},{"url":114,"alt":40,"url_carre":8,"alt_carre":8},"1800384",[167,169],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":168,"channelId":9},{"id":102,"name":103},{"id":126,"name":127,"code":128,"shortname":129,"liveURL":130,"alias":131,"region":170,"channelId":9},{"id":102,"name":103},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/dc4a6d2f03f998161a09783d7263121c72f81ffd0391fc472ca6e2595999af8c.mp3",{"podcast_not_roll":74},"1728542452",{"type":12,"alias":175,"id":176,"author":79,"title":177,"meta_title":177,"og_title":177,"description":178,"meta_description":178,"og_description":178,"published":179,"published_time":180,"datetime":181,"changed":179,"changed_time":182,"created":179,"visual":183,"tags":186,"radios":189,"episode":192,"published_unix_time":211},"/articles/culture/les-diables-1971-de-ken-russel-rendre-un-blaspheme-baroque","52904","Les Diables (1971) de Ken Russel: rendre un blasphème baroque. ","\u003Cp>Délire anticlerical et libertaire s'inspirant de l'affaire historique des démons de Loudun et d'un roman de Aldous Huxley, \"Les Diables\" constitue un point de rupture dans l'œuvre du cinéaste britannique Ken Russell. Au delà de la provocation outrancière qu'il incarne, \"Les Diables\" demeure un film ancré dans le libertarisme de son époque, mais parvient malgré tout à s'en détacher par le prisme d'une thématique religieuse omniprésente. Thématique bénéficiant, certes, d'un traitement incroyablement subversif mais toujours exécutée avec beaucoup de soin et de talent, au sein d'une transe cinématographique sulfureuse, par le fameux réalisateur anglais. Une analyse de Jean-Marc Reichart. \u003C/p>\r\n","22 septembre 2024","10:52","2024-09-22T10:52:22+02:00","19:05",{"url":184,"alt":185,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-09/%20diables.jpeg.webp","Vanessa Redgrave dans \"Les Diables\" de Ken Russell (1971)",[187,188],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},[190],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":191,"channelId":9},{"id":102,"name":103},{"id":193,"type":50,"title":194,"digas":195,"published":196,"datetime":197,"description":198,"url_linked_article":175,"presenters":199,"visual":200,"show":201,"duration":203,"radios":204,"audio_file":209,"rolls":210},"184223","The Devils (1971) de Ken Russel - La foi au coeur de la provocation","LI-26504","13 décembre 2021","2021-12-13T00:00:00+01:00","Oeuvre baroque et provocante, le film The Devils du réalisateur Ken Russel reste-t-il, 50 ans après sa sortie, un objet de scandale ? Présenté générallement comme un brûlot anti-chrétien, le film apparaît surtout comme très représentatif du discours de son époque. Même si ses personnages principaux demeurent, au-delà des images-chocs et au-delà de leur fautes, des croyants sincères. Pour nous parler de ce \"classique\" des films maudits, Jean-Marc Reichart et Dimitri Laermans sont les invités de Laurent Verpoorten.",[112],{"alt":40,"url":114,"url_carre":8,"copyright":8},{"id":116,"title":117,"alias":118,"visual":202,"description":120},{"url":114,"alt":40,"url_carre":8,"alt_carre":8},"1800192",[205,207],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":206,"channelId":9},{"id":102,"name":103},{"id":126,"name":127,"code":128,"shortname":129,"liveURL":130,"alias":131,"region":208,"channelId":9},{"id":102,"name":103},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/d38ba1b965ff14341a802ec53d703aa5755d7a84a8021dddd1e726ee4647f81a.mp3",{"podcast_not_roll":74},"1726995142",{"type":12,"alias":213,"id":214,"author":79,"title":215,"meta_title":215,"og_title":215,"description":216,"meta_description":216,"og_description":216,"published":217,"published_time":218,"datetime":219,"changed":217,"changed_time":220,"created":217,"visual":221,"tags":224,"radios":227,"episode":230,"published_unix_time":249},"/articles/culture/first-reformed-2017-de-paul-schrader-dans-les-sillons-du-mal-et-de-lamour","51993","First Reformed (2017) de Paul Schrader: dans les sillons du Mal et de l'Amour","\u003Cp>Même si les années 2010 possèdent une réputation discutable dans le petit monde snob de la critique culturelle, elles comportent malgré tout leurs lots de chef-d'œuvres intemporels et inestimables.\u003Cbr />\r\nC'est dans ces conditions que \"First Reformed\", joyaux noir du néo-cinéma transcendantal, arrive en tête de ces films contemporains qui parviennent à se hisser sans conteste au Panthéon du 7e art ainsi qu'à celui de la rédemption chrétienne sur grand écran. À l'image de l'Enfer glacé de Dante ou du soleil satanique de Bernanos, Paul Schrader nous offre ici une opale noire rayonnante d'une lumière sombre, certes, mais suffisamment belle et intense pour finir par éclairer les sillons de l'Amour.\u003Cbr />\r\nCritique et analyse de Jean-Marc Reichart. \u003C/p>\r\n","18 août 2024","20:11","2024-08-18T20:11:37+02:00","20:25",{"url":222,"alt":223,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-08/%20firts%20reformed.jpg.webp","Affiche de \"Firts reformed\" de Paul Schrader 2017",[225,226],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},[228],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":229,"channelId":9},{"id":102,"name":103},{"id":231,"type":50,"title":232,"digas":233,"published":234,"datetime":235,"description":236,"url_linked_article":213,"presenters":237,"visual":238,"show":239,"duration":241,"radios":242,"audio_file":247,"rolls":248},"263416","First reformed (2017) de Paul Schrader - Crise écologique","LI-41440","9 juin 2022","2022-06-09T00:00:00+02:00","S'inspirant du cinéma de Robert Bresson, notamment \"Journal d'un curé de campagne\" et \"Le diable probablement\", le réalisateur américain Paul Schrader livre avec \"First Reformed\" un condensé passionant de son propre cinéma. Centré sur un personnage torturé, en l'occurence ici un pasteur, démoralisé par l'état du monde (le manque de foi, les pouvoirs de l'argent, la crise écologique),\"First Reformed\" creuse la querstion de la réponse à apporter à la violence. Doit-elle être personnelle ou collective ? Vengeresse ou sacrificielle ? Pour parler d'un des meilleurs films à thématique chrétienne de ces dernières années, Dimitri Laermans et Jean-Marc Reichart sont les invités de Laurent Verpoorten.",[112],{"alt":40,"url":114,"url_carre":8,"copyright":8},{"id":116,"title":117,"alias":118,"visual":240,"description":120},{"url":114,"alt":40,"url_carre":8,"alt_carre":8},"1800456",[243,245],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":244,"channelId":9},{"id":102,"name":103},{"id":126,"name":127,"code":128,"shortname":129,"liveURL":130,"alias":131,"region":246,"channelId":9},{"id":102,"name":103},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/72ef4712464e82c7f9d34fcda804d5ee47866835d1f5addee01dcc0e7a7d590c.mp3",{"podcast_not_roll":74},"1724004697",{"type":12,"alias":251,"id":252,"author":79,"title":253,"meta_title":253,"og_title":253,"description":254,"meta_description":254,"og_description":254,"published":255,"published_time":256,"datetime":257,"changed":258,"changed_time":259,"created":255,"visual":260,"tags":263,"radios":266,"episode":269,"published_unix_time":288},"/articles/culture/the-tree-of-life-2011-de-terence-malick-a-laube-de-la-vie","51809","The Tree of life (2011) de Terrence Malick: à l'Aube de la Vie... ","\u003Cp>« Où étais-tu quand je fondais la terre ? Dis-le, si tu as de l'intelligence. Qui en a fixé les dimensions, le sais-tu ? Qui a tendu sur elle le cordeau ? Sur quoi ses bases sont-elles appuyées ? Qui en a posé la pierre angulaire, alors que les étoiles du matin éclataient en chants d'allégresse et que tous les fils de Dieu poussaient des cris de joie ? » (Livre de Job, chapitre 38, versets 4,7). \u003Cbr />\r\n\u003Cbr />\r\nCaptant la beauté d'un amour évident, celui qu'engendre la Genèse ainsi que les inévitables turpitudes qui en découlent, Terrence Malick nous livre en un éblouissement cinétique son chef-d'œuvre insoumis à la linéarité doublé de son film le plus ambitieux. À la fois naturaliste, métaphysique, cosmogonique et intimiste, \"The Tree of life\" dépasse le mur de plank de la grammaire cinématographique conventionnelle en faisant coexister, au sein du même projet impossible, la présence d'un Dieu conscient avec le chaos sublime que constitue la matière.\u003C/p>\r\n\r\n\u003Cp>Une analyse de Jean-Marc Reichart.\u003C/p>\r\n","25 juillet 2024","22:37","2024-07-25T22:37:45+02:00","26 juillet 2024","10:25",{"url":261,"alt":262,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-07/%20Tree%20of%20life.jpg.webp","Détail de l'affiche de \"The Tree of Life\" de Terrence Malick (2011)",[264,265],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},[267],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":268,"channelId":9},{"id":102,"name":103},{"id":270,"type":50,"title":271,"digas":272,"published":273,"datetime":274,"description":275,"url_linked_article":251,"presenters":276,"visual":277,"show":278,"duration":280,"radios":281,"audio_file":286,"rolls":287},"450173","Tree of life (2011) de Terrence Malick - Au nom des pères","LI-1826","6 février 2024","2024-02-06T00:00:00+01:00","De \"Tree of Life\" de Terrence Malick (2011), on peut saluer la maestria du montage et la profondeur du propos. Inspiré du Livre de Job, ce film soulève toutes les interrogations que l'on est en droit de se poser au sujet de notre paternité humaine autant que divine.",[112],{"alt":40,"url":114,"url_carre":8,"copyright":8},{"id":116,"title":117,"alias":118,"visual":279,"description":120},{"url":114,"alt":40,"url_carre":8,"alt_carre":8},"1800672",[282,284],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":283,"channelId":9},{"id":102,"name":103},{"id":126,"name":127,"code":128,"shortname":129,"liveURL":130,"alias":131,"region":285,"channelId":9},{"id":102,"name":103},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/0878dac1da5e6f47e5702b28cba4c433eeae82711c9717c1b720a6e7112a3fc3.mp3",{"podcast_not_roll":74},"1721939865",{"type":12,"alias":290,"id":291,"author":79,"title":292,"meta_title":292,"og_title":292,"description":293,"meta_description":293,"og_description":293,"published":294,"published_time":295,"datetime":296,"changed":297,"changed_time":298,"created":294,"visual":299,"tags":302,"radios":305,"episode":308,"published_unix_time":327},"/articles/culture/bad-lieutenant-1992-de-abel-ferrara-jetezmoi-la-premiere-pierre","51326","\"Bad Lieutenant\" de Abel Ferrara : \"Jetez-moi la première pierre\".","\u003Cp>Quand il s'est agi de sonder cinématographiquement les abysses de l'âme, d'arpenter ses zones de déchéances les plus noires, de draguer sans la moindre concession les bas fonds humains les plus malfaisants, les plus vermineux, les plus putrides ; le provocateur Abel Ferrara s'est révélé maître en l'exercice.\u003Cbr />\r\nEn cette qualité, il livre en 1992 \"Bad Lieutenant\", le film New-Yorkais ultime, doublé (selon Martin Scorsese lui-même) de la plus grande histoire de rédemption chrétienne du 7ᵉ Art.\u003C/p>\r\n\r\n\u003Cp>Critique et décryptage de Jean-Marc Reichart.\u003C/p>\r\n","2 juillet 2024","16:20","2024-07-02T16:20:30+02:00","21 octobre 2024","13:51",{"url":300,"alt":301,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-07/%20Bad%20Lieutnant.jpeg.webp","Harvey Keitel dans \"Bad Lieutenant\"",[303,304],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},[306],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":307,"channelId":9},{"id":102,"name":103},{"id":309,"type":50,"title":310,"digas":311,"published":312,"datetime":313,"description":314,"url_linked_article":290,"presenters":315,"visual":316,"show":317,"duration":319,"radios":320,"audio_file":325,"rolls":326},"333186","Bad lieutenant (1992) d'Abel Ferrara - Là ou le mal abonde, la grâce surabonde","LI-57879","24 janvier 2023","2023-01-24T00:00:00+01:00","Il n'y avait sans doute que le réalisateur catholique italo-américain Abel Ferrara pour réaliser le film \"Bad Lieutenant.\" Dans ce polar glauque, se déroulant dans les bas-fonds de New-York, le spectateur suit le parcours chaotique d'un policier drogué et ripoux, qui de la perdition la plus totale parviendra à la redemption la plus sacrificielle. Jean-Marc Reichart et Laurent Verpoorten nous parle aujourd'hui de ce film et de ce réalisateur absolument unique en son genre.",[112],{"alt":40,"url":114,"url_carre":8,"copyright":8},{"id":116,"title":117,"alias":118,"visual":318,"description":120},{"url":114,"alt":40,"url_carre":8,"alt_carre":8},"1800408",[321,323],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":322,"channelId":9},{"id":102,"name":103},{"id":126,"name":127,"code":128,"shortname":129,"liveURL":130,"alias":131,"region":324,"channelId":9},{"id":102,"name":103},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/e4802df556b3a23c642625f38c691d47f8e807629925dbb6045b34dd45b30c56.mp3",{"podcast_not_roll":74},"1719930030",{"type":12,"alias":329,"id":330,"author":79,"title":331,"meta_title":331,"og_title":331,"description":332,"meta_description":332,"og_description":332,"published":333,"published_time":334,"datetime":335,"changed":333,"changed_time":336,"created":333,"location":98,"visual":337,"tags":340,"radios":343,"episode":346,"published_unix_time":365},"/articles/culture/ordet-1955-par-carl-theodor-dreyer-leveil-de-la-parole-0","50784","Ordet (1955) par Carl Théodor Dreyer: l'Éveil de la Parole","\u003Cp>\u003Cstrong>Méditation profonde sur la condition humaine au sein de sociétés verrouillées par l'obéissance aux dogmes et par les convenances qui dessèchent, \"Ordet\" (La Parole) demeure, à tous degrés, une leçon de cinéma.\u003C/strong>\u003C/p>\r\n\r\n\u003Cp>\u003Cstrong>Rigoureux et limpide, Carl Théodor Dreyer livre, en une photographie diaphane, un prodige artistique et formel qui dépasse de très loin les carcans sociologiques exposés dans son scénario. Analyse et décryptage de Jean-Marc Reichart.\u003C/strong>\u003C/p>\r\n","12 juin 2024","14:59","2024-06-12T14:59:02+02:00","16:23",{"url":338,"alt":339,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-06/%20Ordet_2.jpg.webp","Jaquette de \"Agnès b. DVD\" du film \"Ordet\" de Carl Theodor Dreyer",[341,342],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},[344],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":345,"channelId":9},{"id":102,"name":103},{"id":347,"type":50,"title":348,"digas":349,"published":350,"datetime":351,"description":352,"url_linked_article":329,"presenters":353,"visual":354,"show":355,"duration":357,"radios":358,"audio_file":363,"rolls":364},"447544","Ordet (1955) de Carl Theodor Dreyer - Aveuglés par le scepticisme","LI-84235","30 janvier 2024","2024-01-30T00:00:00+01:00","Jean-Marc Reichart, Dimitri Laermans et Laurent Verpoorten analysent aujourd'hui un chef d'oeuvre : Ordet réalisé par le cinéaste danois Carl Theodor Dreyer.",[112],{"alt":40,"url":114,"url_carre":8,"copyright":8},{"id":116,"title":117,"alias":118,"visual":356,"description":120},{"url":114,"alt":40,"url_carre":8,"alt_carre":8},"1800336",[359,361],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":360,"channelId":9},{"id":102,"name":103},{"id":126,"name":127,"code":128,"shortname":129,"liveURL":130,"alias":131,"region":362,"channelId":9},{"id":102,"name":103},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/fb8abd92c1af6481d39403f2871a0e710c25fe23cd673d47c716538012d065e2.mp3",{"podcast_not_roll":74},"1718197142",{"type":12,"alias":367,"id":368,"author":79,"title":369,"meta_title":369,"og_title":369,"description":370,"meta_description":370,"og_description":370,"published":371,"published_time":372,"datetime":373,"changed":374,"changed_time":375,"created":371,"visual":376,"tags":379,"radios":382,"episode":385,"published_unix_time":404},"/articles/culture/levangile-selon-saint-matthieu-1964-de-pier-paolo-pasolini-quand-le-grand-soir","50342","L'Évangile selon Saint Matthieu (1964) de Pier Paolo Pasolini : quand le Grand Soir rencontre la Vie Éternelle","\u003Cp>Parmi les œuvres cinématographiques les plus importantes du XXe siècle, L'Évangile selon Saint Matthieu de Pier Paolo Pasolini se dresse dans l'esprit des cinéphiles telle une Cathédrale érigée dans un désert. Cet acte hautement anarchiste, qui dépasse aisément les codes du cinéma, se voit amplifié dans sa subversion par l'application, à la ligne près, d'une fidélité rigoureuse à l’orthodoxie des Évangiles. Une rigueur, au passage, que seule l'âme inconoclaste et mystique d'un authentique auteur pouvait assumer et réussir à mettre en œuvre formellement.\u003Cbr />\r\nAinsi, après visionnage, il est évident que nous ne sommes pas en présence d'un simple film : c'est, en vrai, un bel affront lancé au confort spirituel doublé d'un miroir tendu vers l'immobilisme mortifère. Une litanie ardente, de révolte et de Grâce, qui parvient à mettre le feu dans les intérieurs mentaux trop bien rangés - tout en retranscrivant, de la plus belle des manières, le Message d'Amour révolutionnaire du Christ.\u003C/p>\r\n","22 mai 2024","15:27","2024-05-22T15:27:46+02:00","10 février 2025","22:21",{"url":377,"alt":378,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2025-02/%20Christ.jpeg.webp","Enrique Irazoqui, dans \"L'Évangile selon Saint Matthieu\" (1964). Photo Alamy. Photo 12.",[380,381],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},[383],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":384,"channelId":9},{"id":102,"name":103},{"id":386,"type":50,"title":387,"digas":388,"published":389,"datetime":390,"description":391,"url_linked_article":367,"presenters":392,"visual":393,"show":394,"duration":396,"radios":397,"audio_file":402,"rolls":403},"372352","L'évangile selon Saint Matthieu (1964) de P.P. Pasolini - Témoin des témoins","LI-66583","16 mai 2023","2023-05-16T00:00:00+02:00","Cette semaine Jean-Marc Reichart et Laurent Verpoorten abordent une légende du 7e art : \"L'Évangile selon St Mathieu\" de Pier Paolo Pasolini.\u003Cbr>Un film grandiose, multiréferencé et multianalysé, dont la sobriété n'égale que sa grandiloquence.",[112],{"alt":40,"url":114,"url_carre":8,"copyright":8},{"id":116,"title":117,"alias":118,"visual":395,"description":120},{"url":114,"alt":40,"url_carre":8,"alt_carre":8},"1800312",[398,400],{"id":95,"name":96,"code":97,"shortname":98,"liveURL":99,"alias":100,"region":399,"channelId":9},{"id":102,"name":103},{"id":126,"name":127,"code":128,"shortname":129,"liveURL":130,"alias":131,"region":401,"channelId":9},{"id":102,"name":103},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/7e8ee3e757b14254a7348d2b37c42ecee7eeb68321662d7544bce7296d02e9f6.mp3",{"podcast_not_roll":74},"1716384466",{"type":12,"alias":406,"id":407,"author":408,"title":409,"meta_title":409,"og_title":409,"description":410,"meta_description":410,"og_description":410,"published":411,"published_time":19,"datetime":412,"changed":411,"changed_time":413,"created":411,"visual":414,"tags":417,"radios":423,"partner":426,"episode":433,"published_unix_time":451},"/articles/culture/interdit-aux-chiens-et-aux-italiens-laureat-du-prix-croire-au-cinema","48240","STEPHANIE GALLET","Interdit aux chiens et aux Italiens, lauréat du prix Croire au cinéma","\u003Cp>\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:Arial,sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:Arial,sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">Le film d’animation Interdit aux chiens et aux Italiens vient d’obtenir le Prix Croire au cinéma. \u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:Arial,sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">Décryptage de ce film poétique qui revient sur l’histoire d’une famille française d’origine italienne avec l’équipe d’Effervescence, le magazine de l'étonnement culturel animé par Stéphanie Gallet sur RCF.\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/p>\r\n\r\n\u003Cp>\u003Cbr />\r\n\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:Arial,sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/p>\r\n","2 février 2024","2024-02-02T00:00:00+01:00","17:09",{"url":415,"alt":416,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-02/Interdit%20aux%20chiens%20et%20aux%20italiens.jpeg.webp","Interdit aux chiens et aux Italiens",[418,419],{"id":5,"label":6,"alias":7},{"id":420,"label":421,"alias":422},"54604","Migrants","/tag/migrants",[424],{"id":39,"name":40,"code":41,"shortname":42,"liveURL":43,"alias":9,"region":425,"channelId":47},{"id":45,"name":46},{"id":427,"title":428,"url":429,"logo":432},"41740","SIGNIS-CINEMA",{"website":430,"alias":431},"https://www.signis.net/teneur/cinema","/partenaires/signiscinema","https://assets-prep.radiorcf.com/styles/{style_name}/assets/2023-01/Logo%20SIGNIS%20Cin%C3%A9ma%20New%20S.jpg.webp",{"id":434,"type":50,"title":435,"digas":436,"published":411,"datetime":412,"description":437,"url_linked_article":438,"presenters":439,"visual":440,"show":443,"duration":445,"radios":446,"audio_file":449,"rolls":450},"448385"," Interdit aux chiens et aux Italiens : lauréat du prix Croire au cinéma","PR-58276","\u003Cp>\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:'Open Sans',sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cstrong>Le film d’animation, \u003Cem>Interdit aux chiens et aux italiens\u003C/em> vient donc d'obtenir le 4eme prix Croire au cinéma. \u003C/strong>Un prix dont RCF est partenaire. Retour dans cette émission sur ce film d’Alain Ughetto qui raconte l’histoire de sa famille dont les grands parents ont émigré d’Italie au début du siècle dernier. Un film qui interroge la migration et la fabrique des français. U\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:'Open Sans',sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">ne émission Effervescence avec du cinéma dedans, des vaches, un loup (mais un loup en slip), un pianiste brésilien, des français, des belges, des italiens et avouons-le … pas vraiment de chiens.\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/p>\r\n\r\n\u003Cp style=\"line-height:1.2\">\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:'Open Sans',sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cstrong>Avec à Bruxelles Delphine Freyssinet et à Paris François Huguenin et Valérie de Marnhac\u003C/strong> (Signis France)\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/p>\r\n\r\n\u003Cp style=\"line-height:1.2\">\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:'Open Sans',sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cstrong>Coups de coeur\u003C/strong> : les albums de Cabanes et de The reed conservation society, la bande dessinée \u003Cem>Bobigny 72\u003C/em>, l’expo Le loup en slip au Centre Belge de la bande-dessinée, les films \u003Cem>They shot the piano playeur\u003C/em> et \u003Cem>La ferme des Bertrand\u003C/em>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/p>\r\n\r\n\u003Cp style=\"line-height:1.2\">\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:'Open Sans',sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cstrong>Billet de Stéphanie Gallet\u003C/strong> : L'hiver de la poésie\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/p>\r\n\r\n\u003Cp style=\"line-height:1.2\">\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:'Open Sans',sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cstrong>Musique \u003C/strong>: Berthe Sylva, The reed conservation Society, Tamlins, Cabane\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/p>\r\n\r\n\u003Cp style=\"line-height:1.2\">\u003Cspan style=\"font-size:11pt; font-variant:normal; white-space:pre-wrap\">\u003Cspan style=\"font-family:'Open Sans',sans-serif\">\u003Cspan style=\"color:#000000\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">Citation : \u003Cem>\u003Cstrong>“On n’est pas d’un pays, on est de son enfance”\u003C/strong>\u003C/em> Interdit aux chiens et aux Italiens\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/span>\u003C/p>\r\n\r\n\u003Cp> \u003C/p>\r\n","/articles/culture/lhiver-de-la-poesie",[15],{"alt":441,"url":442,"url_carre":9,"copyright":8},"Image du film Interdit aux chiens et aux Italiens","https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-02/Interdit-aux-temp-4-1150x0-c-default.jpg.webp",{"id":61,"title":62,"alias":63,"visual":444,"description":67},{"url":65,"alt":66,"url_carre":8,"alt_carre":8},"3532608",[447],{"id":39,"name":40,"code":41,"shortname":42,"liveURL":43,"alias":9,"region":448,"channelId":47},{"id":45,"name":46},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/63c1849fd71d910c5018ce752b97b8d42d3a4a9bbf853f87641d01eb186a6161.mp3",{"podcast_not_roll":74},"1706869732",{"type":12,"alias":453,"id":454,"author":455,"title":456,"meta_title":456,"og_title":456,"description":457,"meta_description":457,"og_description":457,"published":458,"published_time":459,"datetime":460,"changed":461,"changed_time":462,"created":458,"visual":463,"tags":466,"radios":469,"partner":472,"episode":474,"published_unix_time":502},"/articles/culture/quels-sont-les-huit-films-selectionnes-par-le-prix-croire-au-cinema","41738","Jeanne d'Anglejan","Quels sont les huit films sélectionnés par le prix Croire au cinéma ?","\u003Cp>Le 31 janvier 2023, le jury du prix \u003Ca href=\"https://croireaucinema.fr/\" rel=\"noopener\" target=\"_blank\" title=\"https://croireaucinema.fr/\">Croire au cinéma \u003C/a>dévoilera le film élu pour ses qualités artistiques et les valeurs qu’il met en lumière. Pour le moment, le comité a sélectionné huit long-métrages. Partenaire du prix, RCF a voulu comprendre pourquoi ils avaient été choisis. 2023 marque la troisième édition de Croire au cinéma, qui se concentre cette année sur des films sortis entre le 1er décembre 2021 et le 30 novembre 2022.\u003C/p>\r\n","19 janvier 2023","12:10","2023-01-19T12:10:18+01:00","17 juillet 2023","13:26",{"url":464,"alt":465,"url_carre":8,"alt_carre":8},"https://media.rcf.fr/sites/default/files/styles/{style_name}/public/2023-01/S%C3%A9lection-2023x8_0.jpeg.webp","Les affiches des huit films sélectionnés par le comité de Croire au cinéma. © 2021 Signis-Cinéma tous droits réserves",[467,468],{"id":5,"label":6,"alias":7},{"id":29,"label":30,"alias":31},[470],{"id":39,"name":40,"code":41,"shortname":42,"liveURL":43,"alias":9,"region":471,"channelId":47},{"id":45,"name":46},{"id":427,"title":428,"url":473,"logo":432},{"website":430,"alias":431},{"id":475,"type":50,"title":476,"partners":477,"digas":480,"published":458,"datetime":481,"description":482,"url_linked_article":453,"presenters":483,"visual":485,"show":488,"duration":496,"radios":497,"audio_file":500,"rolls":501},"331448","La troisième édition du prix \"Croire au cinéma\"",[478],{"id":427,"title":428,"url":479,"logo":432},{"website":430,"alias":431},"UA-269425","2023-01-19T00:00:00+01:00","\u003Cp>Le 31 janvier 2023, le jury du prix \u003Ca href=\"https://croireaucinema.fr/\" rel=\"noopener\" target=\"_blank\" title=\"https://croireaucinema.fr/\">Croire au cinéma\u003C/a> dévoilera le film élu pour ses qualités artistiques et les valeurs qu’il met en lumière. Pour le moment, le comité a sélectionné huit long-métrages. Partenaire du prix, RCF a voulu comprendre pourquoi ils avaient été choisis. 2023 marque la troisième édition de Croire au cinéma, qui se concentre cette année sur des films sortis entre le 1er décembre 2021 et le 30 novembre 2022.\u003C/p>\r\n\r\n\u003Cp>Avec \u003Cstrong>Magali Van Reeth\u003C/strong>, journaliste de cinéma pour SIGNIS, \u003Cstrong>Anne-Claire de Gaujac\u003C/strong>, présidente du ciné-club CIN’AZUR à Nice et \u003Cstrong>Pierre-Olivier Boiton\u003C/strong>, journaliste à \u003Ca href=\"https://www.la-croix.com/lhebdo\" rel=\"noopener\" target=\"_blank\">La Croix L’Hebdo\u003C/a>.\u003C/p>\r\n",[484,15],"Melchior Gormand",{"alt":486,"url":487,"url_carre":9,"copyright":8},"Les affiches des huit films sélectionnés par le comité de Croire au cinéma. © 2023 Signis-Cinéma tous droits réserves","https://media.rcf.fr/sites/default/files/styles/{style_name}/public/2023-01/S%C3%A9lection-2023x8_0_0.jpeg.webp",{"id":489,"title":490,"alias":491,"visual":492,"description":495},"2261","Je pense donc j'agis","/economie-et-societe/je-pense-donc-jagis",{"url":493,"alt":494,"url_carre":8,"alt_carre":8},"https://assets-prep.radiorcf.com/styles/{style_name}/assets/2025-04/Je%20pense%20donc%20j%27agis.png.webp","@RCF","\u003Cp>Cette émission interactive de deux heures présentée par \u003Cstrong>Melchior Gormand\u003C/strong> est une invitation à la réflexion et à l’action. Une heure pour réfléchir et prendre du recul sur l’actualité avec des invités interviewés par \u003Cstrong>Véronique Alzieu\u003C/strong>, \u003Cstrong>Pauline de Torsiac\u003C/strong>, \u003Cstrong>Stéphanie Gallet\u003C/strong>,\u003Cstrong> Madeleine Vatel \u003C/strong>et\u003Cstrong> Vincent Belotti\u003C/strong>. Une heure pour agir, avec les témoignages d’acteurs de terrain pour se mettre en mouvement et s’engager dans la construction du monde de demain.\u003C/p>\u003Cp>\u003Cstrong>Intervenez en direct\u003C/strong> au \u003Cstrong>04 72 38 20 23\u003C/strong>, dans le groupe Facebook\u003Cstrong> \u003C/strong>\u003Ca href=\"https://www.facebook.com/groups/jepensedoncjagis/\" target=\"_blank\">\u003Cstrong>Je pense donc j'agis\u003C/strong>\u003C/a> ou écrivez à \u003Cstrong>direct@rcf.fr\u003C/strong>\u003C/p>","3291000",[498],{"id":39,"name":40,"code":41,"shortname":42,"liveURL":43,"alias":9,"region":499,"channelId":47},{"id":45,"name":46},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/7e2510a276f95c4de74bde2b73993074cd9543b833f60547ddc50917c70dc3b2.mp3",{"podcast_not_roll":74},"1674126102",{"type":12,"alias":504,"id":505,"author":506,"title":507,"meta_title":507,"og_title":507,"description":508,"meta_description":508,"og_description":508,"changed":461,"changed_time":509,"created":510,"visual":511,"tags":514,"radios":521,"partner":524,"episode":526,"published_unix_time":547},"/articles/culture/croire-au-cinema-2022-la-terre-des-hommes-remporte-le-prix","35692","Valérie de Marnhac","Croire au cinéma 2022 : \"La terre des hommes\" remporte le prix","\u003Cp>Le jury de professionnels composé de journalistes, réalisateur, comédienne s’est réuni fin janvier à Paris , et a primé ce très beau film au sujet fort et au thème d’actualité, puisque l’histoire se passe dans le monde paysan d’aujourd’hui, en France, et qu’il nous raconte le parcours du combattant d’une jeune agricultrice dans un univers essentiellement masculin.\u003C/p>\r\n\r\n\u003Cp>\u003Cbr />\r\n \u003C/p>\r\n","18:34","2 février 2022",{"url":512,"alt":513,"url_carre":8,"alt_carre":8},"https://media.rcf.fr/sites/default/files/styles/{style_name}/public/2022-02/2559885.jpg.webp","La Terre des Hommes",[515,516,517],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},{"id":518,"label":519,"alias":520},"57103","Prix","/tag/prix",[522],{"id":39,"name":40,"code":41,"shortname":42,"liveURL":43,"alias":9,"region":523,"channelId":47},{"id":45,"name":46},{"id":427,"title":428,"url":525,"logo":432},{"website":430,"alias":431},{"id":527,"type":50,"title":528,"digas":529,"published":510,"datetime":530,"url_linked_article":504,"presenters":531,"visual":532,"show":535,"duration":541,"radios":542,"audio_file":545,"rolls":546},"203044","Terre des hommes","PR-38040","2022-02-02T00:00:00+01:00",[506],{"alt":533,"url":534,"url_carre":8,"copyright":8},"Émission La chronique Cinéma © RCF","https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-06/La%20chronique%20cin%C3%A9ma.png.webp",{"id":536,"title":537,"alias":538,"visual":539,"description":540},"4431","La Chronique cinéma","/culture/la-chronique-cinema-0",{"url":534,"alt":533,"url_carre":8,"alt_carre":8},"\u003Cp>Le mercredi c'est le jour où sortent les nouveaux films au cinéma. C'est aussi le jour pour écouter, à 8h45, La Chronique cinéma de Valérie de Marnhac !\u003C/p>\r\n","251880",[543],{"id":39,"name":40,"code":41,"shortname":42,"liveURL":43,"alias":9,"region":544,"channelId":47},{"id":45,"name":46},"https://audio.audiomeans.fr/guid/{source_code}/c06fa107-76ad-4eb2-9d66-f8e22da466db/ec57702900801a9011a06138fd57e1297f39f05929ae8eeed5eccd9f2e584a5d.mp3",{"podcast_not_roll":74},"1643791185",{"episode":549},{"type":50,"id":434,"title":435,"alias":550,"digas":436,"published":411,"datetime":412,"description":437,"url_linked_article":406,"title_linked_article":409,"presenters":551,"visual":552,"tags":553,"show":555,"duration":445,"radios":556,"audio_file":449,"rolls":559},"/culture/effervescence?episode=448385",[15],{"alt":441,"url":442,"url_carre":9,"copyright":8},[554],{"id":5,"label":6,"alias":7},{"id":61,"title":62,"alias":63},[557],{"id":39,"name":40,"code":41,"shortname":42,"liveURL":43,"alias":9,"region":558,"channelId":47},{"id":45,"name":46},{"podcast_not_roll":74},{"episode":561},{"type":50,"id":562,"title":563,"alias":564,"digas":565,"published":566,"datetime":567,"description":568,"presenters":569,"visual":571,"tags":574,"show":577,"duration":581,"radios":582,"audio_file":624,"rolls":625},"455516","Césars : Jean-François Le Corre, de la société Vivement lundi en compétition","/culture/linvite-culturel-en-bretagne?episode=455516","RN-56394","22 février 2024","2024-02-22T00:00:00+01:00","Ce vendredi c'est la 49e cérémonie des Césars qui vient récompenser les talents du cinéma français. Parmi les films en lice dans la catégorie film d'animation, le long métrage \"Interdit aux chiens et aux italiens\", qui retrace l'arrivée d'une famille d'immigrés italiens en France. Un film en grande partie fabriqué en Bretagne, dans les studios rennais de la société de production Vivement lundi. Entretien avec Jean-François Le Corre, son directeur.",[570],"Cécile Pollart",{"alt":572,"url":573,"url_carre":9,"copyright":8},"Jean-François Le Corre, fondateur de la société de production de films rennaise Vivement lundi © Cécile Pollart","https://assets-prep.radiorcf.com/styles/{style_name}/assets/2024-02/1708448886587ok.jpg.webp",[575,576],{"id":29,"label":30,"alias":31},{"id":5,"label":6,"alias":7},{"id":578,"title":579,"alias":580},"45650","L'invité culturel en Bretagne","/culture/linvite-culturel-en-bretagne","718320",[583,592,600,608,616],{"id":584,"name":585,"code":586,"shortname":587,"liveURL":588,"alias":589,"region":590,"channelId":9},"59311","RCF Bretagne","RCFBZH","Bretagne","//rcf.streamakaci.com/rcfbretagne.mp3","/bretagne",{"id":591,"name":587},"34175",{"id":593,"name":594,"code":595,"shortname":596,"liveURL":597,"alias":598,"region":599,"channelId":9},"34318","RCF Côtes d'Armor","RCF22","Côtes 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