[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"page-data--\u002Fculture\u002Fcantabile-con-brio-{\"page\":6}":3,"episodes-by-show-32758-6":264},{"type":4,"id":5,"alias":6,"title":7,"visual":8,"description":12,"category":13,"radios":19,"og_description":12,"og_title":7,"meta_title":7,"meta_description":12,"blocks":31,"episodes":37,"pager":259},"show","32758","\u002Fculture\u002Fcantabile-con-brio","Cantabile con brio",{"url":9,"alt":10,"url_carre":11,"alt_carre":11},"https:\u002F\u002Fassets-prep.radiorcf.com\u002Fstyles\u002F{style_name}\u002Fassets\u002F2021-09\u002Fpiano-349928_640.jpg.webp","© Image d'illustration - Pixabay.com","","\u003Cp>En partenariat avec le \" palais des dégustateurs \" nous vous proposons chaque semaine une émission de musique classique émaillée d'interviews exclusives.\u003C\u002Fp>\r\n",{"id":14,"type":15,"name":16,"alias":17,"description":18},"59393","category","Culture","\u002Fculture","\u003Cp>\r\n\u003Cstyle type=\"text\u002Fcss\">\u003C!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}-->\r\n\u003C\u002Fstyle>\r\nMusique, cinéma, littérature, arts, histoire, : nos programmes consacrés à la culture répondent à un désir, celui de vous donner l'envie de comprendre et d'aimer le monde !\u003C\u002Fp>\r\n",[20],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":27,"channelId":30},"34358","RCF Namur","RCFSudBe","Namur","\u002F\u002Frcf.streamakaci.com\u002Frcfsudbe.mp3","\u002Fnamur",{"id":28,"name":29},"33499","Belgique",null,[32],{"type":33,"description":18,"layout":34,"show_more":17,"radio":35,"articles":36,"category":14},"thematic_horizontal_block","horizontal","9",[],[38,61,79,98,116,134,153,171,190,207,225,242],{"type":39,"id":40,"title":41,"alias":42,"digas":43,"published":44,"datetime":45,"description":46,"presenters":47,"visual":49,"show":52,"duration":54,"radios":55,"audio_file":58,"rolls":59},"episode","223555","Théodor Kirchner","\u002Fculture\u002Fcantabile-con-brio?episode=223555","NM-23547","28 mars 2022","2022-03-28T00:00:00+02:00","\u003Cp>(c) Photo : Wikipediia\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nLe compositeur Théodor Kirchner, aura pris soin de rester dans l'ombre de ses amis Robert Schumann et Félix Mendelssohn afin de ne pas les déranger.\u003C\u002Fp>\r\n",[48],"Eric Rouyer",{"alt":50,"url":51,"url_carre":30,"copyright":11},"© Wikipédia ","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-03\u002FRCFNMR_STDIG01_485FD775B63A4D3A9542387ADB693136_0.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":53},"CANTABILE","1789272",[56],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":57,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fcf07040e67a207925fb2ccbbeb1d4e23bbc2f40744dbbf231618173aa63f1ea6.mp3",{"podcast_not_roll":60},false,{"type":39,"id":62,"title":63,"alias":64,"digas":65,"published":66,"datetime":67,"description":68,"presenters":69,"visual":70,"show":72,"duration":73,"radios":74,"audio_file":77,"rolls":78},"217911","Interview Alain Meunier","\u002Fculture\u002Fcantabile-con-brio?episode=217911","NM-22715","14 mars 2022","2022-03-14T00:00:00+01:00","\u003Cp>Alain Meunier est violoncelliste. Il a enseigné à l'Accademia Musicale Chigiana pendant 22 ans, ainsi qu'au Conservatoire de Lyon. Il est professeur au Conservatoire de Paris depuis 1989, et est directeur du Concours international de quatuor à cordes de Bordeaux.\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nIl a été membre du jury au Concours de violoncelle Rostropovich en 1986, 1994, et 2005, ainsi qu'au 1er Concours international de violoncelle Gaspar Cassadó à Hachi?ji en 2006.\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nInterview au micro d'Eric Rouyer.\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n(c) Photo : Wikipedia\u003C\u002Fp>\r\n",[48],{"alt":50,"url":71,"url_carre":30,"copyright":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-03\u002FRCFNMR_STDIG01_998004DC329446B7B200CA59CEE8313F.JPG.webp",{"id":5,"title":7,"alias":6,"code_emission":53},"1799688",[75],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":76,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Fpodcast-prep.rcf.fr\u002FRCFSudBe\u002FNM-22715.mp3",{"podcast_not_roll":60},{"type":39,"id":80,"title":81,"alias":82,"digas":83,"published":84,"datetime":85,"description":86,"presenters":87,"visual":88,"show":91,"duration":92,"radios":93,"audio_file":96,"rolls":97},"204570","Haydn Schubert","\u002Fculture\u002Fcantabile-con-brio?episode=204570","NM-18711","7 février 2022","2022-02-07T00:00:00+01:00","\u003Cp>Boris Berman grand Maître du piano international enregistre un programme inattendu dans une interprétation de référence et rapproche Haydn de Schubert plutôt que de Mozart. Comme si Beethoven avait fait le lien entre ces sonates pour piano .\u003C\u002Fp>\r\n",[48],{"alt":89,"url":90,"url_carre":30,"copyright":11},"© Wikipedia","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-02\u002FFranz_Schubert_by_Wilhelm_August_Rieder_1875.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":53},"1800480",[94],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":95,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F5b9035d1febebbce0774c3e95ad37418433f10ae427f66da7c36482b44146694.mp3",{"podcast_not_roll":60},{"type":39,"id":99,"title":100,"alias":101,"digas":102,"published":103,"datetime":104,"description":105,"presenters":106,"visual":108,"show":109,"duration":110,"radios":111,"audio_file":114,"rolls":115},"202523","Guy Sacre  l’empreinte de l’enfance reversée dans une condensation musicale","\u002Fculture\u002Fcantabile-con-brio?episode=202523","NM-17687","31 janvier 2022","2022-01-31T00:00:00+01:00","La musique de Guy Sacre, élégamment élaborée, n’est jamais maniérée ni obséquieuse, mais toujours fraîche et aérée. Un compositeur discret, retranché dans un silence indifférent, proche du désistement de la reconnaissance de son art à la « Française », dont Billy Eidi prépare un prochain enregistrement pour le Label Le Palais des Dégustateurs.",[107],"Théo Mertens",{"alt":10,"url":9,"url_carre":11,"copyright":11},{"id":5,"title":7,"alias":6,"code_emission":53},"1799352",[112],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":113,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Fpodcast-prep.rcf.fr\u002FRCFSudBe\u002FNM-17687.mp3",{"podcast_not_roll":60},{"type":39,"id":117,"title":118,"alias":119,"digas":120,"published":121,"datetime":122,"description":123,"presenters":124,"visual":125,"show":127,"duration":128,"radios":129,"audio_file":132,"rolls":133},"198948","Brahms, une corbeille de fruits musicale","\u002Fculture\u002Fcantabile-con-brio?episode=198948","NM-17683","24 janvier 2022","2022-01-24T00:00:00+01:00","\u003Cp>Eric Rouyer, nous présente sa nouvelle production discographique avec des oeuvres de musique de chambre de Brahms pour alto.\u003C\u002Fp>\r\n",[107],{"alt":89,"url":126,"url_carre":30,"copyright":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-01\u002FJohannesBrahms.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":53},"1800936",[130],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":131,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Fpodcast-prep.rcf.fr\u002FRCFSudBe\u002FNM-17683.mp3",{"podcast_not_roll":60},{"type":39,"id":135,"title":136,"alias":137,"digas":138,"published":139,"datetime":140,"description":141,"presenters":142,"visual":143,"show":146,"duration":147,"radios":148,"audio_file":151,"rolls":152},"194767","L’ultime enregistrement de Dominique Merlet 2\u002F2","\u002Fculture\u002Fcantabile-con-brio?episode=194767","NM-17682","17 janvier 2022","2022-01-17T00:00:00+01:00","\u003Cp>Le grand maître du piano français aura achevé sa carrière discographique dans les grands cru bourguignons, au Couvent des Jacobins de la Maison Louis Jadot à Beaune, et à la Goillotte du Domaine de La Romanée Conti à Vosne-Romanée, pour une épopée Beethoven et Bach d'une intensité majestueuse, qui le hisse parmi les interprétations de référence de l'histoire du disque.\u003C\u002Fp>\r\n",[48],{"alt":144,"url":145,"url_carre":30,"copyright":11},"© Par LT26 - Wikipédia","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-01\u002F5DN0025_0.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":53},"1800456",[149],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":150,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Fpodcast-prep.rcf.fr\u002FRCFSudBe\u002FNM-17682.mp3",{"podcast_not_roll":60},{"type":39,"id":154,"title":155,"alias":156,"digas":157,"published":158,"datetime":159,"description":160,"presenters":161,"visual":162,"show":164,"duration":165,"radios":166,"audio_file":169,"rolls":170},"193993","L'ultime enregistrement de Dominique Merlet 1\u002F2","\u002Fculture\u002Fcantabile-con-brio?episode=193993","NM-17684","10 janvier 2022","2022-01-10T00:00:00+01:00","Après la réussite majeure du Clavier bien Tempéré de J.S.Bach, Choc de l’année 2018 par la revue Classica, Dominique Merlet clôture son exceptionnelle carrière discographique avec un Beethoven épuré, intime, d’une poésie et d’une pudeur rarement atteintes. Le témoignage d’un Grand Monsieur.",[48],{"alt":144,"url":163,"url_carre":30,"copyright":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-01\u002F5DN0025.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":53},"1799928",[167],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":168,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Fpodcast-prep.rcf.fr\u002FRCFSudBe\u002FNM-17684.mp3",{"podcast_not_roll":60},{"type":39,"id":172,"title":173,"alias":174,"digas":175,"published":176,"datetime":177,"description":178,"presenters":179,"visual":180,"show":183,"duration":184,"radios":185,"audio_file":188,"rolls":189},"191515","L’oratorio Golgotha de Frank Martin l’un des chefs-d’œuvre du XXème siècle","\u002Fculture\u002Fcantabile-con-brio?episode=191515","NM-17677","3 janvier 2022","2022-01-03T00:00:00+01:00","\u003Cp>Entre l’eau-forte les Trois Croix de Rembrandt et la Passion selon Saint Matthieu de Bach, l’extraction insoluble d’une issue vers la lumière pour diluer l’effroi.\u003C\u002Fp>\r\n",[107],{"alt":181,"url":182,"url_carre":30,"copyright":11},"© Par Rembrandt — www.rijksmuseum.nl - Wikipédia","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-01\u002F1024px-Rembrandt_The_Three_Crosses_1653.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":53},"1800120",[186],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":187,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Fpodcast-prep.rcf.fr\u002FRCFSudBe\u002FNM-17677.mp3",{"podcast_not_roll":60},{"type":39,"id":191,"title":192,"alias":193,"digas":194,"published":195,"datetime":196,"presenters":197,"visual":198,"show":200,"duration":201,"radios":202,"audio_file":205,"rolls":206},"153782","Eric Rouyer, du Palais des dégustateurs","\u002Fculture\u002Fcantabile-con-brio?episode=153782","NM-10564","27 décembre 2021","2021-12-27T00:00:00+01:00",[107],{"alt":10,"url":199,"url_carre":30,"copyright":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-10\u002Fwine-g685d36d79_1920.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":53},"1800096",[203],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":204,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Fpodcast-prep.rcf.fr\u002FRCFSudBe\u002FNM-10564.mp3",{"podcast_not_roll":60},{"type":39,"id":208,"title":209,"alias":210,"digas":211,"published":212,"datetime":213,"description":214,"presenters":215,"visual":216,"show":219,"duration":184,"radios":220,"audio_file":223,"rolls":224},"189070","A Ceremony of Carols - Britten","\u002Fculture\u002Fcantabile-con-brio?episode=189070","NM-17621","20 décembre 2021","2021-12-20T00:00:00+01:00","\u003Cp>A Ceremony of Carols, opus 28, de Benjamin Britten, est une œuvre pour chœur à voix égales (dans la version d'origine un chœur d'enfants), à trois voix, avec des interventions de voix (d'enfants, ou de femmes) en solistes. L'ensemble comporte une partie de harpe (pour l'accompagnement, mais l'instrument assure seul le numéro 7 Interlude). Britten commença à écrire la partition au cours d'une traversée en bateau en 1942.\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nÉcrite pour le temps de Noël, l’œuvre est constituée de 11 parties (11 Christmas Carols). La partition, à l'écriture souvent très élaborée, a été conçue à partir de ces 11 textes de Noëls. Tous sont chantés, sauf l’Interlude pour harpe seule. La plupart d'entre eux sont tirés de The English Galaxy of Shorter Poems édité par Gerald Bullett (en). Ils sont en anglais, en moyen anglais et en latin.\u003C\u002Fp>\r\n",[107],{"alt":217,"url":218,"url_carre":30,"copyright":11},"© A Ceremony of Carols - Britten","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-12\u002FRCFNMR_STDIG01_A2B9AFE8C94F424084861AD12FD5F6AA.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":53},[221],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":222,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F17d096bc629a7d4412984510e9994574ba4a41fab53b97a252e7b83a5299d4c1.mp3",{"podcast_not_roll":60},{"type":39,"id":226,"title":227,"alias":228,"digas":229,"published":230,"datetime":231,"description":232,"presenters":233,"visual":234,"show":236,"duration":184,"radios":237,"audio_file":240,"rolls":241},"171337","Alain Meunier joue Bach 1\u002F2","\u002Fculture\u002Fcantabile-con-brio?episode=171337","NM-14804","8 novembre 2021","2021-11-08T00:00:00+01:00","Alain Meunier est un violoniste français. Dans cet enregistrement Meunier opte pour des tempos retenus, mais bannit l'uniformité qu'ils pourraient favoriser. Il sait animer les sarabandes et donner leur galbe rythmique aux danses . Pas de fantaisies ni d'emballements alla Rostro, et néanmoins des élans incandescents (splendides sixième et premier préludes) qui rappellent son admiration pour Casals.",[48],{"alt":89,"url":235,"url_carre":30,"copyright":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-11\u002FAlain_Meunier_8971.JPG.webp",{"id":5,"title":7,"alias":6,"code_emission":53},[238],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":239,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F476e0ba06ddab3bd5cbf5bf9ceb2d5e22b83e1d7856948452fba00274684271f.mp3",{"podcast_not_roll":60},{"type":39,"id":243,"title":244,"alias":245,"digas":246,"published":247,"datetime":248,"presenters":249,"visual":250,"show":252,"duration":253,"radios":254,"audio_file":257,"rolls":258},"166589","Berman - Brahms","\u002Fculture\u002Fcantabile-con-brio?episode=166589","NM-13877","25 octobre 2021","2021-10-25T00:00:00+02:00",[107],{"alt":10,"url":251,"url_carre":30,"copyright":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-10\u002Fpiano-g92659429a_640.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":53},"1815192",[255],{"id":21,"name":22,"code":23,"shortname":24,"liveURL":25,"alias":26,"region":256,"channelId":30},{"id":28,"name":29},"https:\u002F\u002Fpodcast-prep.rcf.fr\u002FRCFSudBe\u002FNM-13877.mp3",{"podcast_not_roll":60},{"current_page":260,"total_items":261,"total_pages":262,"item_per_page":263},6,132,7,20,{"rows":37,"pager":259}]