[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"page-data--\u002Fculture\u002Fallegro-vivace-{\"page\":22}":3,"episodes-by-show-4698-22":211},{"type":4,"id":5,"alias":6,"title":7,"visual":8,"description":12,"category":13,"presenters":19,"radios":21,"og_description":12,"og_title":7,"meta_title":7,"meta_description":12,"blocks":32,"episodes":38,"pager":206},"show","4698","\u002Fculture\u002Fallegro-vivace","Allegro vivace",{"url":9,"alt":10,"url_carre":11,"alt_carre":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2023-09\u002FAllegro%20vivace.png.webp","RCF Bordeaux","","\u003Cp>\u003Cspan>\u003Cspan>\u003Cspan>\u003Cspan>\u003Cspan>\u003Cspan>\u003Cspan>La musique classique est à l’honneur chaque semaine en direct pendant 1h. Allegro vivace, c’est le rendez-vous des mélomanes qui souhaitent être tenus au courant de l’actualité musicale en Gironde et parfois plus loin en Nouvelle Aquitaine. Interviews d’artistes, mais également des organisateurs de concerts et de festivals, ainsi que de tous les métiers de l’ombre et maillons de la grand chaîne de la production musicale qui permettent aux artistes de se produire dans les meilleures conditions. Une émission incontournable de la programmation de RCF Bordeaux! Nouveauté cette saison : chaque semaine, retrouvez dans l’émission la chronique “le disque de la semaine”.\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n",{"id":14,"type":15,"name":16,"alias":17,"description":18},"59393","category","Culture","\u002Fculture","\u003Cp>\r\n\u003Cstyle type=\"text\u002Fcss\">\u003C!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}-->\r\n\u003C\u002Fstyle>\r\nMusique, cinéma, littérature, arts, histoire, : nos programmes consacrés à la culture répondent à un désir, celui de vous donner l'envie de comprendre et d'aimer le monde !\u003C\u002Fp>\r\n",[20],"Aude Pénicaut",[22],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":28,"channelId":31},"34322","RCF33","Bordeaux","\u002F\u002Frcf.streamakaci.com\u002Frcf33.mp3","\u002Fbordeaux",{"id":29,"name":30},"34176","Nouvelle-Aquitaine",null,[33],{"type":34,"description":18,"layout":35,"show_more":17,"radio":36,"articles":37,"category":14},"thematic_horizontal_block","horizontal","9",[],[39,60,77,94,110,126,141,156,173,189],{"type":40,"id":41,"title":42,"alias":43,"published":44,"datetime":45,"description":46,"presenters":47,"visual":48,"show":51,"duration":53,"radios":54,"audio_file":57,"rolls":58},"episode","28431","Les emprunts de Serge Gainsbourg","\u002Fculture\u002Fallegro-vivace?episode=28431","4 mars 2021","2021-03-04T11:00:00+01:00","Chopin, Brahms, Beethoven, les grands compositeurs furent une inépuisable source d'inspiration pour Serge Gainsbourg.",[20],{"alt":49,"url":50,"url_carre":31,"copyright":11},"Serge Gainsbourg","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-06\u002Fserge_gainsbourg.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":52},"ALLEGRO","1500000",[55],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":56,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Ffe137e4098e7b4a14cbe47ed52e7de013ebe1e68a578970815dc8cc518bb4243.mp3",{"podcast_not_roll":59},false,{"type":40,"id":61,"title":62,"alias":63,"published":64,"datetime":65,"description":66,"presenters":67,"visual":68,"show":71,"duration":53,"radios":72,"audio_file":75,"rolls":76},"28752","Hommage à Pierre Bardon","\u002Fculture\u002Fallegro-vivace?episode=28752","3 mars 2021","2021-03-03T11:00:00+01:00","Pendant près de 60 ans, Pierre Bardon a fait rayonner les Grandes Orgues Historiques de la Basilique Royale Sainte-Marie Madeleine de Saint-Maximin la Sainte-Baume dans le Var. Alors qu'il vient de s'éteindre, nous lui rendons hommage.",[20],{"alt":69,"url":70,"url_carre":31,"copyright":11},"Pierre Bardon","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-06\u002Fpierre_bardon.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":52},[73],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":74,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F511c37aca4d766b358c1c93709f098669fa7aab9763f9c90a6db3802346ffa31.mp3",{"podcast_not_roll":59},{"type":40,"id":78,"title":79,"alias":80,"published":81,"datetime":82,"description":83,"presenters":84,"visual":85,"show":88,"duration":53,"radios":89,"audio_file":92,"rolls":93},"29082","Anton Arensky : Concerto pour piano op 2","\u002Fculture\u002Fallegro-vivace?episode=29082","2 mars 2021","2021-03-02T11:00:00+01:00","Une oeuvre de jeunesse est toujours un témoignage émouvant. Et l'exercice du concerto pour piano et orchestre, une sorte d'examen de passage. Celui d'Anton Arensky, s'il ressemble davantage à un hommage à certains grands compositeurs, n'en connut pas moins un grand succès.",[20],{"alt":86,"url":87,"url_carre":31,"copyright":11},"Anton Arensky","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-06\u002Fanton_arensky_0.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":52},[90],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":91,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F347314297c3ae32d2fd33e855e94c84393481730f2624e69f7ff10ce3e2ddc45.mp3",{"podcast_not_roll":59},{"type":40,"id":95,"title":96,"alias":97,"published":98,"datetime":99,"description":100,"presenters":101,"visual":102,"show":104,"duration":53,"radios":105,"audio_file":108,"rolls":109},"29428","Anton Arensky : Nuits égyptiennes","\u002Fculture\u002Fallegro-vivace?episode=29428","1 mars 2021","2021-03-01T11:00:00+01:00","Le titre du ballet, Les Nuits égyptiennes, rappelle celui d’une nouvelle de Pouchkine écrite en 1835. Mais Arenski s'est surtout inspiré de l' ouvrage d’Edward William Lane, \"Des mœurs et coutumes des Égyptiens modernes\", publié à Londres en 1837.",[20],{"alt":11,"url":103,"url_carre":31,"copyright":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-06\u002Fnuits_egyptiennes.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":52},[106],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":107,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fa09226fbe349d8bec9a45486e8f17e9c38d6adc464f25faeac2483ff45900797.mp3",{"podcast_not_roll":59},{"type":40,"id":111,"title":112,"alias":113,"published":114,"datetime":115,"description":116,"presenters":117,"visual":118,"show":120,"duration":53,"radios":121,"audio_file":124,"rolls":125},"72066","Trompette, trombonne, tuba, une pluie de cuivres","\u002Fculture\u002Fallegro-vivace?episode=72066","26 février 2021","2021-02-26T11:00:00+01:00","La famille des cuivres comprend quatre instruments principaux : la trompette, le trombone à coulisse, le cor d'harmonie et le tuba. Aujourd'hui, un Allegro vivace en immersion dans le monde des cuivres !",[20],{"alt":11,"url":119,"url_carre":31,"copyright":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-07\u002Fcuivres.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":52},[122],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":123,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fa88c3f436ab7ac79e7c1e33f038e4e158beca8c23f2ff2b1e20327cafa550f24.mp3",{"podcast_not_roll":59},{"type":40,"id":127,"title":128,"alias":129,"published":130,"datetime":131,"description":132,"presenters":133,"visual":134,"show":135,"duration":53,"radios":136,"audio_file":139,"rolls":140},"72423","Quadragesima : Avec Ambrosio Cotes et Michael Haydn","\u002Fculture\u002Fallegro-vivace?episode=72423","25 février 2021","2021-02-25T11:00:00+01:00","Certaines messes composées pour le temps du Carême sont également dédiées à celui de l'Avent. C'est le cas des deux oeuvres programmées aujourd'hui, des compositeurs Ambrosio COTES et Michael HAYDN.",[20],{"alt":10,"url":9,"url_carre":11,"copyright":11},{"id":5,"title":7,"alias":6,"code_emission":52},[137],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":138,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F6595628dca7b72b5ecd983c1682881bd836a1c3303fd6bf07011b082d44c9290.mp3",{"podcast_not_roll":59},{"type":40,"id":142,"title":143,"alias":144,"published":145,"datetime":146,"description":147,"presenters":148,"visual":149,"show":150,"duration":53,"radios":151,"audio_file":154,"rolls":155},"29850","Quadragesima : Avec Heinrich Ignaz Franz Biber","\u002Fculture\u002Fallegro-vivace?episode=29850","24 février 2021","2021-02-24T11:00:00+01:00","Comme tout temps liturgique, le temps du Carême ou \"Quadragesima\" fait l'objet de nombreuses compositions musicales. Aujourd'hui, nous écoutons une messe composée par Heinrich Ignaz Franz BIBER pour le premier dimanche de Carême.",[20],{"alt":10,"url":9,"url_carre":11,"copyright":11},{"id":5,"title":7,"alias":6,"code_emission":52},[152],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":153,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fbc2523f8f36b1f699c676398bfeabb404142b59c397dcb1dea7451598fc19b63.mp3",{"podcast_not_roll":59},{"type":40,"id":157,"title":158,"alias":159,"published":160,"datetime":161,"description":162,"presenters":163,"visual":164,"show":167,"duration":53,"radios":168,"audio_file":171,"rolls":172},"30164","La septième symphonie de Jean Sibelius","\u002Fculture\u002Fallegro-vivace?episode=30164","23 février 2021","2021-02-23T11:00:00+01:00","Jean Sibelius mit 10 ans à écrire sa septième et ultime symphonie, qui est comme une œuvre « testamentaire ». ",[20],{"alt":165,"url":166,"url_carre":31,"copyright":11},"Jean Sibelius","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-06\u002Fjean_sibelius.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":52},[169],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":170,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F6bb52ac01c49521df0a5b307ffec24254a2c682bdab3b3de9e31f35357c84a30.mp3",{"podcast_not_roll":59},{"type":40,"id":174,"title":175,"alias":176,"published":177,"datetime":178,"description":179,"presenters":180,"visual":181,"show":183,"duration":53,"radios":184,"audio_file":187,"rolls":188},"30490","Pélleas et Mélisande de Jean Sibelius","\u002Fculture\u002Fallegro-vivace?episode=30490","22 février 2021","2021-02-22T11:00:00+01:00","Après avoir composé une musique de scène pour la création finlandaise de l'ouvrage de Maurice Maeterlinck, Jean Sibelius adapta Pelléas et Mélisande pour en proposer une suite orchestrale qui comprend neuf des dix morceaux composés pour la pièce de théâtre.",[20],{"alt":11,"url":182,"url_carre":31,"copyright":11},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-06\u002Fpelleas_et_melissande.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":52},[185],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":186,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F99cb8fb6c3aac7b508d244e9d3145bbb3499488618762499e872073278fe9724.mp3",{"podcast_not_roll":59},{"type":40,"id":190,"title":191,"alias":192,"published":193,"datetime":194,"description":195,"presenters":196,"visual":197,"show":200,"duration":53,"radios":201,"audio_file":204,"rolls":205},"31018","Concerto pour contrebasse de Nino Rota","\u002Fculture\u002Fallegro-vivace?episode=31018","19 février 2021","2021-02-19T11:00:00+01:00","Si la liste des concerti pour violon ou piano est sans fin, celle des concerti pour contrebasse tient sur une page. C'est donc avec beaucoup d'intérêt et de curiosité qu'il faut découvrir celui que Nino Rota a composé.",[20],{"alt":198,"url":199,"url_carre":31,"copyright":11},"Nino Rota","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-06\u002Fnino_rota.jpg.webp",{"id":5,"title":7,"alias":6,"code_emission":52},[202],{"id":23,"name":10,"code":24,"shortname":25,"liveURL":26,"alias":27,"region":203,"channelId":31},{"id":29,"name":30},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F26894c9abaad943b1e0c7880ed8973e04335172d56004c3f08aedb0ed76689e0.mp3",{"podcast_not_roll":59},{"current_page":207,"total_items":208,"total_pages":209,"item_per_page":210},22,450,23,20,{"rows":38,"pager":206}]