[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"page-data--\u002Fculture-{\"page\":240}":3,"aroundMeBlock--59393-9":611},{"id":4,"type":5,"name":6,"description":7,"alias":8,"content":9,"pagination":606},"59393","category","Culture","\u003Cp>\r\n\u003Cstyle type=\"text\u002Fcss\">\u003C!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}-->\r\n\u003C\u002Fstyle>\r\nMusique, cinéma, littérature, arts, histoire, : nos programmes consacrés à la culture répondent à un désir, celui de vous donner l'envie de comprendre et d'aimer le monde !\u003C\u002Fp>\r\n","\u002Fculture",[10,49,71,93,114,137,154,176,192,224,245,293,315,337,367,388,437,457,500,511,528,545,562,590],{"type":11,"id":12,"title":13,"alias":14,"digas":15,"published":16,"datetime":17,"description":18,"url_linked_article":19,"id_linked_article":20,"title_linked_article":21,"presenters":22,"visual":24,"show":29,"duration":34,"radios":35,"audio_file":46,"rolls":47},"episode","302142","Les Choses, au Louvre","\u002Fculture\u002Fles-histoires-de-lart?episode=302142","PR-45793","25 octobre 2022","2022-10-25T00:00:00+02:00","\u003Cp>Une exposition du musée du Louvre porte un titre étonnamment banal : \"Les Choses\". Le sous-titre est plus explicite et plus classique : \"Une histoire de la nature morte\"...\u003C\u002Fp>\r\n","\u002Farticles\u002Fculture\u002Fexpositions-les-choses-au-louvre",40181,"Expositions \"Les Choses\", au Louvre",[23],"Goubert Guillaume",{"alt":25,"url":26,"url_carre":27,"copyright":28},"Vincent Van Gogh, La Chambre de Van Gogh à Arles, ©Musée d’Orsay","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002FGraphiqueColl%C3%A9-1_3.png.webp",null,"",{"id":30,"title":31,"alias":32,"code_emission":33},"32423","Les Histoires de l'art","\u002Fculture\u002Fles-histoires-de-lart","HISTART","231984",[36],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":42,"channelId":45},"9","RCF","RCFNational","National","\u002F\u002Frcf.streamakaci.com\u002Frcfdigital.mp3",{"id":43,"name":44},"33500","France","UCNce7rDfA-1fKpO-r1Rf-Dw","https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fded3d5e4598f2cb06d30dbc165526adf7b32b668ee5818ad5ef8557c4af4eea2.mp3",{"podcast_not_roll":48},false,{"type":11,"id":50,"title":51,"alias":52,"digas":53,"published":16,"datetime":17,"description":54,"presenters":55,"visual":57,"show":60,"duration":65,"radios":66,"audio_file":69,"rolls":70},"302536","\"This is real\", nouvel album de Thomas Khan, le \"petit prince de la soul\"","\u002Fculture\u002Ftout-doux?episode=302536","UA-257863","\u003Cp>Otis Redding, James Brown, Aretha Franklin. Autant d’artistes qui ont popularisé la soul et dont Thomas Khan a suivi les traces. Mais comment un jeune parisien vivant en Auvergne s’est-il plongé dans ce style américain riche en émotions ? Plongée dans son univers à l'occasion de la sortie de  \"This is real\", son second album.\u003C\u002Fp>\r\n",[56],"Vincent Belotti",{"alt":58,"url":59,"url_carre":27,"copyright":28},"Visuel album \"This is real\" de Thomas Khan","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-11\u002Funnamed%20%2824%29.jpg.webp",{"id":61,"title":62,"alias":63,"code_emission":64},"13518","TOut DOux","\u002Fculture\u002Ftout-doux","TOUDOUX","3267336",[67],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":68,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F7afb0d8dd334b58d9cf4f17bb1b41eda5b3943426dda880f0d7e6b6dd29f8c32.mp3",{"podcast_not_roll":48},{"type":11,"id":72,"title":73,"alias":74,"digas":75,"published":16,"datetime":17,"description":76,"presenters":77,"visual":79,"show":82,"duration":87,"radios":88,"audio_file":91,"rolls":92},"293311","Être ouvrier en France au XXe siècle (2\u002F5)","\u002Fculture\u002Fla-suite-de-lhistoire?episode=293311","UA-175038","Certains estiment qu’en France les ouvriers ont disparu. L’historien Xavier Vigna, auteur du livre \"Histoire des ouvriers en France au XXe siècle\" (coll. Tempus, éd. Perrin, 2021), pense que leur profil et domaines d’activité ont évolué par rapport à ce qu’ils furent au XXe siècle.",[78],"Véronique Alzieu",{"alt":80,"url":81,"url_carre":27,"copyright":28},"Le Dîner de l'ouvrier, huile sur toile de Francesc Sardà Ladico (1911) ©Wikimédia commons","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002Fetre-ouvrier-en-france-au-XXe-siecle-LA-SUITE-DE-L-HISTOIRE-RCF.jpg.webp",{"id":83,"title":84,"alias":85,"code_emission":86},"5965","La suite de l'Histoire","\u002Fculture\u002Fla-suite-de-lhistoire","SUITHIS","719784",[89],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":90,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F060e41897f3509636b6840f111af0db48d73a075f35562c4baa244ea81591eba.mp3",{"podcast_not_roll":48},{"type":11,"id":94,"title":95,"alias":96,"digas":97,"published":16,"datetime":17,"description":98,"presenters":99,"visual":100,"show":103,"duration":108,"radios":109,"audio_file":112,"rolls":113},"302527","\"Le monde de demain\" sur Arte","\u002Fculture\u002Flactu-des-series?episode=302527","UA-257866","Comment le hip hop américain s'est-il implanté en France dans les années 80 ? Réponse dans cette nouvelle série diffusée sur Arte. Gros plan avec Pauline Harré dans \"l'actu des séries\" cette semaine.",[56],{"alt":101,"url":102,"url_carre":28,"copyright":28},"Émission L'Actu des séries © RCF","https:\u002F\u002Fassets-prep.radiorcf.com\u002Fstyles\u002F{style_name}\u002Fassets\u002F2021-07\u002FVignette-thematique_CULTURE-ET-SOCIETE_16.png.webp",{"id":104,"title":105,"alias":106,"code_emission":107},"2890","L'Actu des séries","\u002Fculture\u002Flactu-des-series","TODOTELE","235440",[110],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":111,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F6faceac24176abe3412df8433c9f4c275e897c93795a6ec613be77becee86722.mp3",{"podcast_not_roll":48},{"type":11,"id":115,"title":116,"alias":117,"digas":118,"published":119,"datetime":120,"description":121,"presenters":122,"visual":124,"show":126,"duration":131,"radios":132,"audio_file":135,"rolls":136},"301751","L'actu de la musique et le premier volet de la série Zeus et compagnie","\u002Fculture\u002Fun-air-de-sorties?episode=301751","UA-257506","24 octobre 2022","2022-10-24T00:00:00+02:00","\u003Cp>Au programme:\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n-L'actualité de la musique: avec le journal, la nouveauté du jour, c'est un jeune chanteur qui nous arrive des Landes Tioma et la sélection de Maxime Nedelec.\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n-Pendant les vacances de la Toussaint retrouver notre série \"Zeus et compagnie\" aujourd'hui le premier volet \"Zeus, le roi des dieux\"\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n-Le 24 octobre 1940 à Montoire Adolf Hitler et le Maréchal Pétain se rencontraient. On en parle dans \"Ce jour dans l'histoire\"\u003C\u002Fp>\r\n",[123],"Bruno Fumat",{"alt":38,"url":125,"url_carre":27,"copyright":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002FZeus_0.jpg.webp",{"id":127,"title":128,"alias":129,"code_emission":130},"32364","Un air de sorties","\u002Fculture\u002Fun-air-de-sorties","AIRSORTI","1708248",[133],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":134,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F52e8c1ca548d79e2b106dedfe1faf5a259c397708e8403b50e0bfd1d9732c757.mp3",{"podcast_not_roll":48},{"type":11,"id":138,"title":139,"alias":140,"digas":141,"published":119,"datetime":120,"description":142,"presenters":143,"visual":144,"show":147,"duration":148,"radios":149,"audio_file":152,"rolls":153},"301980","Les \"Brèves d'Ephad\" de Caroline Gros","\u002Fculture\u002Ftout-doux?episode=301980","UA-257588","\u003Cp>\"Aujourd’hui, je suis jolie. J’ai une tête de coquelicot !\" a dit Alice, 92 ans. Ces mots poétiques, drôles et parfois émouvants, Caroline Gros les a recueillis auprès de personnes âgées, de soignants et d'enfants dans un ephad en Bretagne. Le résultat : \"Brèves d’Ephad\", un livre édité chez Blacklephant dans lequel trouver une mine de réflexions sur le sens de la vie et le temps qui passe. En bref, un joli \"petit coup de vieux\" à partager avec son auteure.\u003C\u002Fp>\r\n",[56],{"alt":145,"url":146,"url_carre":27,"copyright":28},"Caroline Gros auteure de Brèves d'Ephad aux éditions Blacklephant","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002F4.jpg.webp",{"id":61,"title":62,"alias":63,"code_emission":64},"3286080",[150],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":151,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F40aca4005cbdc1e3788d6104437062811e58808befe9c866054ded16008651c3.mp3",{"podcast_not_roll":48},{"type":11,"id":155,"title":156,"alias":157,"digas":158,"published":119,"datetime":120,"description":159,"presenters":160,"visual":162,"show":165,"duration":170,"radios":171,"audio_file":174,"rolls":175},"298898","Athéna, la déesse gardienne du savoir, de la science et des arts","\u002Fculture\u002Fzeus-et-compagnie-le-podcast-pour-decouvrir-les-dieux-grecs?episode=298898","UA-253809","\u003Cp>?️ Reconnue pour sa\u003Cstrong> sagesse\u003C\u002Fstrong> et son \u003Cstrong>intelligence\u003C\u002Fstrong>, \u003Cstrong>Athéna\u003C\u002Fstrong>, fille de Zeus, est l'une des déesses les plus vénérées et représentées au cours des siècles, le Parthénon sur l'Acropole lui est par exemple dédié.\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Cp>? Elle est la \u003Cstrong>gardienne de toutes les formes de savoir, de science et d'art.\u003C\u002Fstrong> Avec son casque, sa lance et sa cuirasse appelée \"l'égide\", on se trompe souvent en associant Athéna à la guerre, découvrez pourquoi dans cet épisode.\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n?️ En fin d'épisode, Lauriane décrit via le tableau de Lavinia Fontana \"\u003Cem>Minerve s'habillant\u003C\u002Fem>\". On y retrouve les nombreux attributs rattachées à la déesse comme le casque ou encore l'olivier.\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Cp>? À écouter sur \u003Ca href=\"https:\u002F\u002Fwww.rcf.fr\u002Fculture-et-societe\u002Fzeus-et-compagnie\" rel=\"noopener\" target=\"_blank\">rcf.fr\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fplaylist?list=PLljHpU3BdH7_qCccVOn9K4OEF0KWRyHqd\" rel=\"noopener\" target=\"_blank\">youtube\u003C\u002Fa> et les plateformes de podcast\u003C\u002Fp>\r\n",[161],"Lauriane Ung-Billault",{"alt":163,"url":164,"url_carre":27,"copyright":28},"Visuel Athena \u002F Podcast Zeus et compagnie \u002F  Clement Bondasz","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002Fvisu%20hera_0.png.webp",{"id":166,"title":167,"alias":168,"code_emission":169},"39625","Zeus et Compagnie, le podcast pour découvrir les dieux grecs","\u002Fculture\u002Fzeus-et-compagnie-le-podcast-pour-decouvrir-les-dieux-grecs","ZEUS","341784",[172],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":173,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Face89f138690191e4d3285ae8ec0847ce0477166ce7f15a47a9b997484b1d252.mp3",{"podcast_not_roll":48},{"type":11,"id":177,"title":178,"alias":179,"digas":180,"published":119,"datetime":120,"description":76,"presenters":181,"visual":182,"show":185,"duration":186,"radios":187,"audio_file":190,"rolls":191},"8617","Être ouvrier en France au XXe siècle (1\u002F5)","\u002Fculture\u002Fla-suite-de-lhistoire?episode=8617","UA-174944",[78],{"alt":183,"url":184,"url_carre":27,"copyright":28},"Extrait de «Sortie d'usine», le premier film tourné par les frères Lumière, le 19 mars 1895. (©wikimediacommons)","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002Ftwitter_CAc7RUGW8AAV8hj.jpg.webp",{"id":83,"title":84,"alias":85,"code_emission":86},"720432",[188],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":189,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F718ec7260c82959bd95a79c08a062bfdbf72b6c6eeb27dcb158630a20e191053.mp3",{"podcast_not_roll":48},{"type":11,"id":193,"title":194,"alias":195,"partners":196,"digas":204,"published":205,"datetime":206,"description":207,"presenters":208,"visual":210,"show":213,"duration":218,"radios":219,"audio_file":222,"rolls":223},"297763","Chanter les aidants","\u002Fculture\u002Fun-air-qui-me-rappelle?episode=297763",[197],{"id":198,"title":199,"url":200,"logo":203},"18601","LA CROIX",{"website":201,"alias":202},"https:\u002F\u002Fwww.la-croix.com\u002F","\u002Fpartenaires\u002Fla-croix","https:\u002F\u002Fassets-prep.radiorcf.com\u002Fstyles\u002F{style_name}\u002Fassets\u002F2021-08\u002Ft%C3%A9l%C3%A9chargement%20%281%29.png.webp","UA-255483","23 octobre 2022","2022-10-23T00:00:00+02:00","\u003Cp>La sélection de Robert Migliorini:\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n-Jérémie Kisling: Je guide tes pas\u003Cbr \u002F>\r\n-Louis Chedid: Maman\u003Cbr \u002F>\r\n-Holi: Ma maison\u003C\u002Fp>\r\n",[209],"Robert Migliorini",{"alt":211,"url":212,"url_carre":27,"copyright":28},"DR","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002FRobert%20Migliorini.jpg.webp",{"id":214,"title":215,"alias":216,"code_emission":217},"6420","Un air qui me rappelle","\u002Fculture\u002Fun-air-qui-me-rappelle","UNAIR","672384",[220],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":221,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F1aa39d1afd98d3421e5e91c47d31cb852eca689483a531b93520e655c1a4d007.mp3",{"podcast_not_roll":48},{"type":11,"id":225,"title":226,"alias":227,"digas":228,"published":205,"datetime":206,"presenters":229,"visual":231,"show":234,"duration":239,"radios":240,"audio_file":243,"rolls":244},"300947","La cantate BWV 47 de J.S. Bach (n° 87)","\u002Fculture\u002Fle-jardin-des-anges?episode=300947","UA-257384",[230],"Jean-François Duchamp",{"alt":232,"url":233,"url_carre":28,"copyright":28},"©RCF","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2023-08\u002Fle%20jardin%20des%20anges%20%281%29.png.webp",{"id":235,"title":236,"alias":237,"code_emission":238},"2310","Le jardin des anges","\u002Fculture\u002Fle-jardin-des-anges","JARDANGE","3574704",[241],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":242,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F58ae1bd2c2b23858116776aaf2d3709db26fe1add4ad3e602d58e27e1e2f9c9a.mp3",{"podcast_not_roll":48},{"type":246,"alias":247,"id":248,"author":249,"title":250,"meta_title":250,"og_title":250,"description":251,"meta_description":251,"og_description":251,"published":252,"published_time":253,"datetime":254,"changed":255,"changed_time":256,"created":252,"visual":257,"tags":260,"radios":265,"episode":268,"published_unix_time":292},"article","\u002Farticles\u002Fculture\u002Fseul-lespoir-apaise-la-douleur-de-simone-veil","40137","Christophe Henning","\"Seul l'espoir apaise la douleur\", de Simone Veil","\u003Cp>Ultime témoignage de Simone Veil, cette jeune fille juive déportée qui devient présidente du Parlement européen. La chronique de Christophe Henning, à écouter ou à lire !\u003C\u002Fp>\r\n","22 octobre 2022","12:23","2022-10-22T12:23:22+02:00","17 juillet 2023","13:28",{"url":258,"alt":259,"url_carre":28,"alt_carre":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002Fsimone%20veil_0.jpg.webp","Simone Veil",[261],{"id":262,"label":263,"alias":264},"54906","Littérature","\u002Ftag\u002Flitterature",[266],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":267,"channelId":45},{"id":43,"name":44},{"id":269,"type":11,"title":270,"digas":271,"published":272,"datetime":273,"description":251,"url_linked_article":247,"presenters":274,"visual":275,"show":278,"duration":286,"radios":287,"audio_file":290,"rolls":291},"300301","\"Seul l’espoir apaise la douleur\", de Simone Veil","PR-45617","20 octobre 2022","2022-10-20T00:00:00+02:00",[249],{"alt":276,"url":277,"url_carre":27,"copyright":28},"simone veil","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002Fsimone%20veil.jpg.webp",{"id":279,"title":280,"alias":281,"visual":282,"description":285},"4399","L'Actualité littéraire","\u002Fculture\u002Flactualite-litteraire",{"url":283,"alt":284,"url_carre":28,"alt_carre":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2023-08\u002FL%27actualit%C3%A9%20litt%C3%A9raire%20%282%29.png.webp","Émission L'Actualité littéraire © RCF","\u003Cp>Chaque jeudi à 8h44, Christophe Henning (La Croix) et Christophe Mory (RCF et Radio Notre-Dame) présentent le livre de la semaine.\u003C\u002Fp>\r\n","265896",[288],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":289,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Ff62ce63b6d10c5a366d758c823c39d830f9eb774506645f46f116acb21efdc2e.mp3",{"podcast_not_roll":48},"1666433921",{"type":11,"id":294,"title":295,"alias":296,"digas":297,"published":252,"datetime":298,"description":299,"presenters":300,"visual":302,"show":304,"duration":309,"radios":310,"audio_file":313,"rolls":314},"296073","La musique à Venise","\u002Fculture\u002Ftous-melomanes?episode=296073","UA-255179","2022-10-22T00:00:00+02:00","\u003Cp>Venise... ville de rêve et merveilleuse cité musicale ; le programme de cette soirée en donne un aperçu :\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Ctable style=\"border-collapse:collapse; width:531px\" width=\"531\">\r\n\t\u003Ccolgroup>\r\n\t\t\u003Ccol style=\"width:398pt\" width=\"531\" \u002F>\r\n\t\u003C\u002Fcolgroup>\r\n\t\u003Ctbody>\r\n\t\t\u003Ctr>\r\n\t\t\t\u003Ctd class=\"xl63\" style=\"border-bottom:none; height:125px; width:531px; text-align:left; vertical-align:top; white-space:normal; padding-top:1px; padding-right:1px; padding-left:1px; border-top:1px solid black; border-right:none; border-left:none\">\u003Cspan style=\"font-size:19px\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">Giuseppe VERDI\u003Cbr \u002F>\r\n\t\t\tR\u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:italic\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">igoletto\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">, \"Gualtier Maldè...Caro nome\", Acte 1  Scene 2 et Aria,\u003Cbr \u002F>\r\n\t\t\tMetropolitan Opera Orchestra, dir James Levine\u003Cbr \u002F>\r\n\t\t\tDGG\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ftd>\r\n\t\t\u003C\u002Ftr>\r\n\t\t\u003Ctr>\r\n\t\t\t\u003Ctd class=\"xl63\" style=\"border-bottom:none; height:100px; width:531px; text-align:left; vertical-align:top; white-space:normal; padding-top:1px; padding-right:1px; padding-left:1px; border-top:1px solid black; border-right:none; border-left:none\">\r\n\t\t\t\u003Cp>\u003Cspan style=\"font-size:19px\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\"> Giovanni GABRIELI\u003Cbr \u002F>\r\n\t\t\tDeux pièces : \u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:italic\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\"> Canzon a 8  fa sol la ré & Canzone a 4\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">,\u003Cbr \u002F>\r\n\t\t\tNikolaus Harnoncourt & Consentus musicus Wien\u003Cbr \u002F>\r\n\t\t\tVanguard Classics\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\r\n\t\t\t\u003C\u002Ftd>\r\n\t\t\u003C\u002Ftr>\r\n\t\t\u003Ctr>\r\n\t\t\u003C\u002Ftr>\r\n\t\t\u003Ctr>\r\n\t\t\t\u003Ctd class=\"xl63\" style=\"border-bottom:none; height:100px; width:531px; text-align:left; vertical-align:top; white-space:normal; padding-top:1px; padding-right:1px; padding-left:1px; border-top:1px solid black; border-right:none; border-left:none\">\r\n\t\t\t\u003Cp>\u003Cspan style=\"font-size:19px\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">Antonio LOTTI\u003Cbr \u002F>\r\n\t\t\t\u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:italic\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">Crucifixus a 8\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">, Passions Venezia 1600-1750, Les cris de Paris,  dir. Geoffroy Jourdain,\u003Cbr \u002F>\r\n\t\t\tHarmonia Mundi\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n\t\t\t\u003Cp> \u003C\u002Fp>\r\n\t\t\t\u003C\u002Ftd>\r\n\t\t\u003C\u002Ftr>\r\n\t\t\u003Ctr>\r\n\t\t\t\u003Ctd class=\"xl63\" style=\"border-bottom:none; height:25px; width:531px; text-align:left; vertical-align:top; white-space:normal; padding-top:1px; padding-right:1px; padding-left:1px; border-top:1px solid black; border-right:none; border-left:none\">\r\n\t\t\t\u003Cp>\u003Cspan style=\"font-size:19px\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">Alexander SCHUBERT, \u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:italic\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">Semaphores\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">, Plays Sinebag, Ahornfelder\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n\t\t\t\u003Cp> \u003C\u002Fp>\r\n\t\t\t\u003C\u002Ftd>\r\n\t\t\u003C\u002Ftr>\r\n\t\t\u003Ctr>\r\n\t\t\t\u003Ctd class=\"xl63\" style=\"border-bottom:none; height:75px; width:531px; text-align:left; vertical-align:top; white-space:normal; padding-top:1px; padding-right:1px; padding-left:1px; border-top:1px solid black; border-right:none; border-left:none\">\r\n\t\t\t\u003Cp>\u003Cspan style=\"font-size:19px\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">Igor STRAVINSKY\u003Cbr \u002F>\r\n\t\t\t\u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:italic\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">The\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont> \u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:italic\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">Rake's Progress\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">, \"No words from Tom\", There's a Place for Us, Nadine Sierra, Robert Spano, Royal Philharmonic Orchestra\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n\t\t\t\u003Cp> \u003C\u002Fp>\r\n\t\t\t\u003C\u002Ftd>\r\n\t\t\u003C\u002Ftr>\r\n\t\t\u003Ctr>\r\n\t\t\t\u003Ctd class=\"xl63\" style=\"border-bottom:none; height:75px; width:531px; text-align:left; vertical-align:top; white-space:normal; padding-top:1px; padding-right:1px; padding-left:1px; border-top:1px solid black; border-right:none; border-left:none\">\r\n\t\t\t\u003Cp>\u003Cspan style=\"font-size:19px\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">Gustav MAHLER,\u003Cbr \u002F>\r\n\t\t\tSymphonie n°5, 4ème mouvement\u003Cbr \u002F>\r\n\t\t\tDaniel Barenboim, Chicago Symphony Orchestra\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n\t\t\t\u003Cp> \u003C\u002Fp>\r\n\t\t\t\u003C\u002Ftd>\r\n\t\t\u003C\u002Ftr>\r\n\t\t\u003Ctr>\r\n\t\t\t\u003Ctd class=\"xl63\" style=\"border-bottom:none; height:101px; width:531px; text-align:left; vertical-align:top; white-space:normal; padding-top:1px; padding-right:1px; padding-left:1px; border-top:1px solid black; border-right:none; border-left:none\">\r\n\t\t\t\u003Cp>\u003Cspan style=\"font-size:19px\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">Claudio MONTEVERDI\u003Cbr \u002F>\r\n\t\t\t\"Pur ti miro\", \u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:italic\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">L'incoronazione di Poppea\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003Cfont>\u003Cspan style=\"font-size:14pt\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-weight:400\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\">, John Eliot Gardiner, English Baroque soloists,\u003Cbr \u002F>\r\n\t\t\tDGG\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ffont>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n\t\t\t\u003Cp> \u003C\u002Fp>\r\n\t\t\t\u003C\u002Ftd>\r\n\t\t\u003C\u002Ftr>\r\n\t\t\u003Ctr>\r\n\t\t\t\u003Ctd class=\"xl64\" style=\"border-bottom:1px solid black; height:26px; width:531px; text-align:center; vertical-align:middle; white-space:normal; padding-top:1px; padding-right:1px; padding-left:1px; border-top:1px solid black; border-right:none; border-left:none\">\u003Cspan style=\"font-size:19px\">\u003Cspan style=\"font-weight:700\">\u003Cspan style=\"color:black\">\u003Cspan style=\"font-style:normal\">\u003Cspan style=\"text-decoration:none\">\u003Cspan style=\"font-family:Calibri,sans-serif\"> \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Ftd>\r\n\t\t\u003C\u002Ftr>\r\n\t\u003C\u002Ftbody>\r\n\u003C\u002Ftable>\r\n",[301],"Hontang Irène",{"alt":232,"url":303,"url_carre":28,"copyright":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2023-08\u002FTous%20m%C3%A9lomanes%20%281%29.png.webp",{"id":305,"title":306,"alias":307,"code_emission":308},"32365","Tous mélomanes","\u002Fculture\u002Ftous-melomanes","MELOMANES","3514920",[311],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":312,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F3832baa9f70c081b430df41a639191518a2fd910ceda09fe3f3ebda60a9f22b4.mp3",{"podcast_not_roll":48},{"type":11,"id":316,"title":317,"alias":318,"digas":319,"published":252,"datetime":298,"description":320,"presenters":321,"visual":323,"show":326,"duration":331,"radios":332,"audio_file":335,"rolls":336},"301229","On était des loups de Sandrine Colette (JC Lattès)","\u002Fculture\u002Fun-bon-bouquin?episode=301229","UA-257492","\u003Cp>Un coup de coeur de Bénédicte de la Librairie des Danaïdes à Aix-les-Bains!\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nLibrairie des Danaïdes\u003Cbr \u002F>\r\n9 & 22, rue de Chambéry\u003Cbr \u002F>\r\n73100 AIX LES BAINS\u003Cbr \u002F>\r\n\u003Ca href=\"https:\u002F\u002Fwww.librairie-danaides.com\" rel=\"noopener\" target=\"_blank\">www.librairie-danaides.com\u003C\u002Fa>\u003C\u002Fp>\r\n",[322],"Delphine Krzyzanowka",{"alt":324,"url":325,"url_carre":27,"copyright":28},"On était des loups","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002F9782709670661_1.jpg.webp",{"id":327,"title":328,"alias":329,"code_emission":330},"32573","Un bon bouquin","\u002Fculture\u002Fun-bon-bouquin","BONBOUQUIN","152208",[333],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":334,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fefb677786440039b629b50adcce162037d030227ee1423fd4e748ec75543a730.mp3",{"podcast_not_roll":48},{"type":11,"id":338,"title":339,"alias":340,"partners":341,"digas":349,"published":252,"datetime":298,"description":350,"presenters":351,"visual":353,"show":355,"duration":360,"radios":361,"audio_file":364,"rolls":365},"292604","Beauvais et le Beauvaisi","\u002Fculture\u002Fles-bons-plans-du-petit-fute?episode=292604",[342],{"id":343,"title":344,"url":345,"logo":348},"32798","Le Petit Futé",{"website":346,"alias":347},"https:\u002F\u002Fwww.petitfute.com\u002F","\u002Fpartenaires\u002Fle-petit-fute","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2023-09\u002FlogoPetitFut%C3%A9contour.png.webp","UA-254180","Voici une belle idée d'escapade à 2 pas de Paris!",[352],"Szeremeta Stephan",{"alt":232,"url":354,"url_carre":28,"copyright":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2023-09\u002FLes%20bons%20plans%20du%20petit%20fut%C3%A91.png.webp",{"id":356,"title":357,"alias":358,"code_emission":359},"31752","Les bons plans du Petit Futé","\u002Fculture\u002Fles-bons-plans-du-petit-fute","PETIFUTE","287352",[362],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":363,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F444443d138042d055200904eb92252add2366c4a443d4456e9b04723e262e51b.mp3",{"podcast_not_roll":366},true,{"type":11,"id":368,"title":369,"alias":370,"digas":371,"published":252,"datetime":298,"description":372,"presenters":373,"visual":375,"show":377,"duration":382,"radios":383,"audio_file":386,"rolls":387},"300921","Une Terre de l’aube","\u002Fculture\u002Fmicrophone-francophone?episode=300921","UA-257374","Cette semaine : Une Terre de l’aube\u003Cbr>\u003Cbr>REMUSICALISER LE MONDE (Martin Ferron) :\u003Cbr>« Partager ses couleurs pour créer une Terre de l’aube »\u003Cbr>\u003Cbr>INITIATIVE INSPIRANTE :\u003Cbr>Ousmane Kagoné a quitté son pays en crise pour une nouvelle Terre de l’aube (le Québec). Aujourd’hui, il aide de nombreux migrants à se loger\u003Cbr>\u003Cbr>MUSIQUE :\u003Cbr>Une Terre de l’aube à l’intérieur : « Dawâr » du Trio Chemirani\u003Cbr>\u003Cbr>CULTURE DE SENS :\u003Cbr>« Une terre de l’aube au bout de l’arc-en-ciel », inspiré d’un texte de Christian Bobin\u003Cbr>\u003Cbr>Martin FERRON : Textes, Animation, Musiques et Réalisation\u003Cbr>Erika LECLERC-MARCEAU : Animation",[374],"Erika Leclerc-Marceau",{"alt":232,"url":376,"url_carre":28,"copyright":28},"https:\u002F\u002Fassets-prep.radiorcf.com\u002Fstyles\u002F{style_name}\u002Fassets\u002F2024-08\u002FMicrophone%20Francophone.jpg.webp",{"id":378,"title":379,"alias":380,"code_emission":381},"7077","Microphone francophone","\u002Fculture\u002Fmicrophone-francophone","MICROPHONE","900936",[384],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":385,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F54272a2b81bd21899af717db40222b5ebcd802a1f1df8e0c3ec5c8f39f338ebf.mp3",{"podcast_not_roll":48},{"type":246,"alias":389,"id":390,"author":391,"title":392,"meta_title":392,"og_title":392,"description":393,"meta_description":393,"og_description":393,"published":394,"published_time":395,"datetime":396,"changed":255,"changed_time":256,"created":394,"visual":397,"tags":400,"radios":413,"episode":416,"published_unix_time":436},"\u002Farticles\u002Fculture\u002Fbenabar-le-chanteurpoete-qui-ne-lache-pas-laffaire","40128","Vincent Belotti avec Laurette Duranel","Bénabar, le chanteur-poète qui ne lâche pas l'affaire","\u003Cp>Après avoir sorti deux albums en 2021, le chanteur prolifique Bruno Nicolini, plus connu sous son nom de scène Bénabar ne \"lâche pas l'affaire\", comme le veut le titre de son dernier album. Celui qui est scénariste, acteur, auteur-compositeur et bien sûr chanteur, prépare déjà un prochain opus. L'occasion de connaître un peu mieux cet artiste de la variété français. \u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n","21 octobre 2022","13:56","2022-10-21T13:56:37+02:00",{"url":398,"alt":399,"url_carre":28,"alt_carre":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002F1200px-B%C3%A9nabar_-_F%C3%AAte_de_l%26%23039%3BHumanit%C3%A9_2012_-_018.jpg.webp","Wikipedia commons",[401,405,409],{"id":402,"label":403,"alias":404},"56088","Chanson","\u002Ftag\u002Fchanson",{"id":406,"label":407,"alias":408},"54183","Cinéma","\u002Ftag\u002Fcinema",{"id":410,"label":411,"alias":412},"54185","Musique","\u002Fdossiers\u002Fcentenaire-gabriel-faure-coup-de-projecteur-sur-le-recital-daline-piboule",[414],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":415,"channelId":45},{"id":43,"name":44},{"id":417,"type":11,"title":418,"digas":419,"published":272,"datetime":273,"description":420,"url_linked_article":389,"presenters":421,"visual":422,"show":425,"duration":430,"radios":431,"audio_file":434,"rolls":435},"300774","Bénabar ne \"lâche pas l'affaire\", son dernier album","UA-257328","\u003Cp>Il s’est fait connaitre en refusant les invitations à \"dîner\" ou en roulant en \"Monospace\". Et par \"Effet papillon\", il est devenu l’un des chanteurs compositeurs les plus emblématiques de la nouvelle scène française. Son nom, Bruno Nicolini, alias Bénabar. A l’occasion de son dernier album intitulé \"On lâche pas l’affaire\", entre musique et cinéma, le chanteur Bénabar revient sur son parcours \"d'Indocile heureux\".\u003C\u002Fp>\r\n",[56],{"alt":423,"url":424,"url_carre":27,"copyright":28},"Vincent Belloti et son invité le chanteur Bénabar","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002FIMG-20221020-WA0000.jpg.webp",{"id":61,"title":62,"alias":63,"visual":426,"description":429},{"url":427,"alt":428,"url_carre":28,"alt_carre":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2023-08\u002FTOut%20DOux%20%282%29.png.webp","Émission TOut DOux © RCF","\u003Cp>Et si on prenait une heure pour se faire du bien à l’heure de pointe ? C’est ce que vous propose RCF dans cette émission. Des invités de marque vous partagent à la fois leurs projets et ce qui les inspire pour vivre au jour le jour. Des chroniqueurs vous donnent des conseils mieux vivre, famille et culture. Une heure de bonne humeur, de bonnes idées, de musique et d’un peu de douceur pour vous accompagner dans le tempo effréné du quotidien.\u003C\u002Fp>\r\n","3238368",[432],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":433,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F6cf8b4ee3fd596bbce7aaedb6196f7d4a6b7997aba6aa16250a0fd725599118a.mp3",{"podcast_not_roll":48},"1666345023",{"type":246,"alias":438,"id":439,"title":440,"meta_title":440,"og_title":440,"description":441,"meta_description":441,"og_description":441,"published":394,"published_time":442,"datetime":443,"changed":255,"changed_time":444,"created":394,"visual":445,"tags":448,"radios":453,"published_unix_time":456},"\u002Farticles\u002Fculture\u002Flincineration-estelle-autorisee-chez-les-chretiens","40119","L'incinération est-elle autorisée chez les chrétiens ?","\u003Cp>Parmi les chrétiens, les protestants autorisent l'incinération. La pratique reste interdite chez les orthodoxes. Longtemps, l’Église catholique a interdit l'incinération, il n'en est plus de même aujourd'hui. Explications de l'historien Bernard Berthod, auteur du livre \"Rites funéraires catholiques\" (éd. Fage, 2019).\u003C\u002Fp>\r\n","11:44","2022-10-21T11:44:54+02:00","13:27",{"url":446,"alt":447,"url_carre":28,"alt_carre":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002Fincineration-est-elle-autorisee-chez-les-chretiens-RCF-DOSSIER-JOUr-DES-MORTS.jpg.webp","©Hans Lucas",[449],{"id":450,"label":451,"alias":452},"58402","Jour des morts","\u002Fdossiers\u002Fla-toussaint-et-le-jour-des-morts",[454],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":455,"channelId":45},{"id":43,"name":44},"1666345322",{"type":246,"alias":458,"id":459,"author":460,"title":461,"meta_title":461,"og_title":461,"description":462,"meta_description":462,"og_description":462,"published":394,"published_time":463,"datetime":464,"changed":255,"changed_time":256,"created":394,"visual":465,"tags":468,"radios":473,"episode":476,"published_unix_time":499},"\u002Farticles\u002Fculture\u002Fbande-dessinee-les-pizzlys-un-voyage-colore","40115","Stéphanie Gallet","Bande dessinée : \"Les Pizzlys\", un voyage coloré","\u003Cp>Avec la bande dessinée \"Les Pizzlys\", de Jérémie Moreau (éd. Delcourt), nous sommes dans des tons acidulés presque fluos, pour une histoire qui nous fera voyager de la France aux États-Unis...\u003C\u002Fp>\r\n","11:27","2022-10-21T11:27:45+02:00",{"url":466,"alt":467,"url_carre":28,"alt_carre":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002Falbum-cover-large-49041.jpeg.webp","Couverture de la BD \"Les Pizzlys\" edition Delcourt",[469],{"id":470,"label":471,"alias":472},"54145","Bande dessinée","\u002Ftag\u002Fbande-dessinee",[474],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":475,"channelId":45},{"id":43,"name":44},{"id":477,"type":11,"title":478,"digas":479,"published":394,"datetime":480,"description":481,"url_linked_article":458,"presenters":482,"visual":483,"show":486,"duration":493,"radios":494,"audio_file":497,"rolls":498},"300914","BD : Les Pizzlys : l'un des plus beaux albums de cette rentrée","PR-45685","2022-10-21T00:00:00+02:00","\u003Cp>Les aventures d’une fratrie proche du burn-out qui suit une vieille dame amérindienne dans son retour en Alaska 40 ans après avoir quitté sa terre natale.\u003C\u002Fp>\r\n\r\n\u003Cp>Un des plus beaux albums de l’année à la fois ancré dans la réalité du réchauffement climatique et porté par un souffle poétique et un graphisme aux couleurs pop.\u003C\u002Fp>\r\n\r\n\u003Cp>Un livre magnifique signé Jérémie Moreau et publié chez \u003Ca href=\"https:\u002F\u002Fwww.editions-delcourt.fr\u002Fbd\u002Fseries\u002Fserie-les-pizzlys\u002Falbum-les-pizzlys\" rel=\"noopener\" target=\"_blank\">Delcourt\u003C\u002Fa>\u003C\u002Fp>\r\n",[460],{"alt":484,"url":485,"url_carre":27,"copyright":28},"les Pizzlys Jérémie Moreau Delcourt","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002Falbum-cover-large-49041.jpg.webp",{"id":487,"title":488,"alias":489,"visual":490,"description":492},"2893","La BD de la semaine","\u002Fculture\u002Fbulles-en-stock-lactu-de-la-bd",{"url":491,"alt":232,"url_carre":28,"alt_carre":28},"https:\u002F\u002Fassets-prep.radiorcf.com\u002Fstyles\u002F{style_name}\u002Fassets\u002F2025-04\u002Fbulles%20en%20stock%2C%20l%27actu%20de%20la%20BD%20%281%29.png.webp","\u003Cp>Une sélection de bandes dessinées proposée par Stéphanie Gallet.\u003C\u002Fp>","273528",[495],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":496,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fd8738670cb0461083785f11a7d3245fe30e18be36e3d2ecc18d92748c4ba352a.mp3",{"podcast_not_roll":48},"1666344242",{"type":11,"id":477,"title":478,"alias":501,"digas":479,"published":394,"datetime":480,"description":481,"url_linked_article":458,"id_linked_article":502,"title_linked_article":461,"presenters":503,"visual":504,"show":505,"duration":493,"radios":507,"audio_file":497,"rolls":510},"\u002Fculture\u002Fbulles-en-stock-lactu-de-la-bd?episode=300914",40115,[460],{"alt":484,"url":485,"url_carre":27,"copyright":28},{"id":487,"title":488,"alias":489,"code_emission":506},"CHROBD",[508],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":509,"channelId":45},{"id":43,"name":44},{"podcast_not_roll":48},{"type":11,"id":512,"title":513,"alias":514,"digas":515,"published":394,"datetime":480,"description":516,"presenters":517,"visual":518,"show":521,"duration":522,"radios":523,"audio_file":526,"rolls":527},"301140","L'actualité de la musique et César de retour à Gergovie (Exposition)","\u002Fculture\u002Fun-air-de-sorties?episode=301140","UA-257391","\u003Cp>Au programme:\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n-L'actualité de la musique: avec le journal, la nouveauté du jour c'est le nouveau titre de Soprano plein d'ernergie et la sélection de Delphine Krzyzanowka\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n-Faut-il encore présenter Jules César ? Politicien ambitieux dont les manœuvres pour conquérir le pouvoir à Rome vont entraîner la fin de la République, son destin l’emmène au printemps 52 avant J-C. au pied de l’oppidum de Gergovie où il connaîtra, face à Vercingétorix, sa principale défaite durant la Guerre des Gaules. Découverte avec le directeur culturel du Musée Archéologique de Gergovie Arnaud Pocris.\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n-Retour sur le 21 octobre 1422, le jour de la mort du Roi Charles VI dans \"ce jour dans l'histoire\"\u003C\u002Fp>\r\n",[123],{"alt":519,"url":520,"url_carre":27,"copyright":28},"Musée archélologique de Gergovie","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002FJules%20Cesar%20%C3%A0%20Gergovie.jpg.webp",{"id":127,"title":128,"alias":129,"code_emission":130},"1685160",[524],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":525,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F4f6e6582f1e71dfdbf0f6bd1d6976007217382ff06369063ebf60526c17eb541.mp3",{"podcast_not_roll":48},{"type":11,"id":529,"title":530,"alias":531,"digas":532,"published":394,"datetime":480,"description":533,"presenters":534,"visual":535,"show":538,"duration":539,"radios":540,"audio_file":543,"rolls":544},"165510","Histoire de la mission (5\u002F5)","\u002Fculture\u002Fla-suite-de-lhistoire?episode=165510","UA-196917","\u003Cp>\"Allez ! De toutes les nations faites des disciples : baptisez-les au nom du Père, et du Fils, et du Saint-Esprit.\" (Mt 28, 19) On peut considérer que l'origine de la vocation missionnaire des chrétiens trouve son origine dans ce verset d'évangile. La vocation missionnaire a commencé à se déployer dès les premiers temps de l'Église et elle a fait naître d'innombrables congrégations, entreprises et aventures. Mais elle a aussi justifié des méthodes et des comportements discutables. Véronique Alzieu reçoit l'historienne Catherine Marin. Elle enseigne l'histoire de l'Église à l'Institut catholique de Paris (ICP).\u003C\u002Fp>\r\n",[78],{"alt":536,"url":537,"url_carre":27,"copyright":28},"25 août 2013 : Evangélisation sur la plage lors du Festival Anuncio. Palavas-les-Flots (34) ©Louis Marie MELCHIS\u002FCIRIC","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-10\u002Fciric_245631_0.jpg.webp",{"id":83,"title":84,"alias":85,"code_emission":86},"731280",[541],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":542,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fe3dac7b967522edc11fc681a06fd80f6635f3ad9248ec8e385bbab79135323d4.mp3",{"podcast_not_roll":48},{"type":11,"id":546,"title":547,"alias":548,"digas":549,"published":394,"datetime":480,"description":550,"presenters":551,"visual":552,"show":555,"duration":556,"radios":557,"audio_file":560,"rolls":561},"296361","Héra, la déesse des déesses","\u002Fculture\u002Fzeus-et-compagnie-le-podcast-pour-decouvrir-les-dieux-grecs?episode=296361","UA-253808","\u003Cp>? La déesse \u003Cstrong>Héra\u003C\u002Fstrong> est la\u003Cstrong> soeur aînée de Zeus \u003C\u002Fstrong>mais aussi...son épouse.\u003C\u002Fp>\r\n\r\n\u003Cp> \u003C\u002Fp>\r\n\r\n\u003Cp>? Comme ses frères et soeurs, elle fût dévorée à la naissance par \u003Cstrong>son père, Cronos\u003C\u002Fstrong>, et sauvée par \u003Ca href=\"https:\u002F\u002Fwww.rcf.fr\u002Fculture-et-societe\u002Fzeus-et-compagnie?episode=296319\" rel=\"noopener\" target=\"_blank\">Zeus\u003C\u002Fa>. Héra, connue pour sa fidélité est considérée comme \u003Cstrong>la protectrice du mariage\u003C\u002Fstrong>, elle est également gardienne de la \u003Cstrong>fécondité\u003C\u002Fstrong>. Jalouse, Héra est aussi connue pour ses crises de colères envers les amantes de son mari Zeus.\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n? En fin d'épisode, Lauriane vous raconte via le tableau de \u003Cstrong>Pierre Paul Rubens\u003C\u002Fstrong> \"\u003Cem>Junon et Argus\u003C\u002Fem>\" comment \u003Cstrong>le paon\u003C\u002Fstrong> est devenu l'oiseau consacré à Héra. Une histoire de jalousie et de géant aux 100 yeux...\u003C\u002Fp>\r\n\r\n\u003Cp>\u003Cbr \u002F>\r\n? Abonnez vous sur \u003Ca href=\"https:\u002F\u002Fwww.rcf.fr\u002Fculture-et-societe\u002Fzeus-et-compagnie?episode=297953\" rel=\"noopener\" target=\"_blank\">rcf.fr\u003C\u002Fa>, \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fplaylist?list=PLljHpU3BdH7_qCccVOn9K4OEF0KWRyHqd\" rel=\"noopener\" target=\"_blank\">youtube \u003C\u002Fa>et les plateformes de podcast\u003C\u002Fp>\r\n",[161],{"alt":553,"url":554,"url_carre":27,"copyright":28},"Visuel Zeus et compagnie , épisode Hera \u002FClement Bondasz","https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2022-10\u002Ftemplate%20without%20zeus.png.webp",{"id":166,"title":167,"alias":168,"code_emission":169},"326328",[558],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":559,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F2294411a8f06ccbd38ad63fd09389ae9d001e16bd3c030148bdc6fc4c5be66c9.mp3",{"podcast_not_roll":48},{"type":11,"id":563,"title":564,"alias":565,"partners":566,"digas":574,"published":394,"datetime":480,"description":575,"presenters":576,"visual":577,"show":579,"duration":584,"radios":585,"audio_file":588,"rolls":589},"165514","Histoire de la mission","\u002Fculture\u002Fla-suite-de-lhistoire-lintegrale?episode=165514",[567],{"id":568,"title":569,"url":570,"logo":573},"1995","ŒUVRES PONTIFICALES MISSIONNAIRES",{"website":571,"alias":572},"http:\u002F\u002Fwww.opm-france.org\u002F","\u002Fpartenaires\u002Foeuvres-pontificales-missionnaires","https:\u002F\u002Fassets-prep.radiorcf.com\u002Fstyles\u002F{style_name}\u002Fassets\u002F2023-10\u002Flogo%20OPM.png.webp","UA-196910","\u003Cp>L’aventure missionnaire, ce sont vingt siècles d’histoire marqués par des femmes et des hommes, connus ou anonymes, qui ont œuvré pour diffuser l'évangile à travers le monde.\u003C\u002Fp>\r\n",[78],{"alt":536,"url":578,"url_carre":27,"copyright":28},"https:\u002F\u002Fmedia.rcf.fr\u002Fsites\u002Fdefault\u002Ffiles\u002Fstyles\u002F{style_name}\u002Fpublic\u002F2021-10\u002Fciric_245631_1.jpg.webp",{"id":580,"title":581,"alias":582,"code_emission":583},"4475","La suite de l'Histoire, l'intégrale","\u002Fculture\u002Fla-suite-de-lhistoire-lintegrale","SUITHISGRAL","3489672",[586],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":587,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F00df6b06147149e8f23c97472bba23a775db016fde080fd053e912b944f71b58.mp3",{"podcast_not_roll":48},{"type":11,"id":591,"title":592,"alias":593,"digas":594,"published":394,"datetime":480,"description":595,"presenters":596,"visual":598,"show":599,"duration":600,"radios":601,"audio_file":604,"rolls":605},"301224","Il y a 150 ans naissait  le compositeur Britannique Ralph Vaughan Williams","\u002Fculture\u002Ftous-melomanes?episode=301224","UA-257369","Le 12 Octobre 1872 naissait l'un des chefs de file du renouveau de la musique en Angleterre.\u003Cbr>\u003Cbr>Voici les oeuvres au programme :\u003Cbr>\u003Cbr>Ralph Vaughan Williams (1872-1958)\u003Cbr>Début de la première symphonie a Sea Symphony\u003Cbr>Behold the sea itself \u003Cbr>Chœurs et orchestre du philarmonique de Londres, sous la direction de Bernard Haitink\u003Cbr>\u003Cbr>\u003Cbr>Thomas TALLIS (1505-1585) \u003Cbr>3 airs pour le psautier de l'archeveque Parker \u003Cbr>The Tallis Scholars sous la direction de Peter Phillips\u003Cbr>\u003Cbr>Ralph Vaughan WILLIAMS (1872 - 1958)\u003Cbr>Variations sur un thème de Thomas Tallis\u003Cbr>Bournemouth Symphony Orchestra \u003Cbr>Direction Constantin Silvestri \u003Cbr>enregistré en 1968\u003Cbr>\u003Cbr>Ralph Vaughan WILLIAMS (1872-1958)\u003Cbr>Symphonie n°3 Pastorale\u003Cbr>3ème mouvement \u003Cbr>Orchestre philarmonique de Londres\u003Cbr>Direction : Sir Roger Norrington\u003Cbr>\u003Cbr>Ralph Vaughan WILLIAMS (1872-1958)\u003Cbr>Gloria extait de la messe en sol mineur \u003Cbr>Chœur du Clare College de Cambridge sous la direction de Timoty Brown\u003Cbr>\u003Cbr>Ralph Vaughan Williams (1872-1958)\u003Cbr>Love sight extrait du cycle de mélodies : the house of life \u003Cbr>Anthony Rolfe Johnson :Ténor\u003Cbr>David Willison  : piano\u003Cbr>\u003Cbr>Ralph Vaughan Williams (1872-1958)\u003Cbr>Menuet et musette extrait du concerto pour hautbois et cordes \u003Cbr>Célia Nicklin au hautbois \u003Cbr>Neville mariner à la tête de l'academy of St Martin in the Fields\u003Cbr>\u003Cbr>Ralph Vaughan Williams (1872-1958)  \u003Cbr>The Lark Ascending  \u003Cbr>Hilary Hahn au violon \u003Cbr>Sir Colin Davis à la tête du London Symphony Orchestra",[597],"Olivier Gleizer",{"alt":232,"url":303,"url_carre":28,"copyright":28},{"id":305,"title":306,"alias":307,"code_emission":308},"3530808",[602],{"id":37,"name":38,"code":39,"shortname":40,"liveURL":41,"alias":27,"region":603,"channelId":45},{"id":43,"name":44},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fdad56b4b8641bf9f97b11e6e09c4947b76ec61c0ea08c16aef540c27c7c40d82.mp3",{"podcast_not_roll":48},{"current_page":607,"total_items":608,"total_pages":609,"item_per_page":610},240,6186,258,24,{"id":4,"label":612,"label_display":613,"provider":614,"status":366,"info":28,"view_mode":615,"type":616,"block_id":28,"radio":37,"articles":617},"Près de chez moi","visible","block_content","full","around_me_block",[618,649,665],{"type":11,"id":619,"title":620,"alias":621,"digas":622,"published":623,"datetime":624,"presenters":625,"visual":627,"show":630,"duration":635,"radios":636,"audio_file":647,"rolls":648},"565719","PaoloLorenzani : Regina caeli","\u002Fculture\u002Fcapriccioso?episode=565719","NV-63839","2 février 2026","2026-02-02T00:00:00+01:00",[626],"Jean-Marie Thil",{"alt":628,"url":629,"url_carre":28,"copyright":28},"Titre Capriccioso sur fond orange de la rubrique Culture avec en illustration en bas à droite les deux mains d'un chef d'orchestre dont celle de droite qui tient la baguette en l'air pour diriger les mouvements symphoniques","https:\u002F\u002Fassets-prep.radiorcf.com\u002Fstyles\u002F{style_name}\u002Fassets\u002F2024-02\u002FCapriccioso%20Vignette.png.webp",{"id":631,"title":632,"alias":633,"code_emission":634},"44801","Capriccioso","\u002Fculture\u002Fcapriccioso","CAPRICCIOSO","1634040",[637],{"id":638,"name":639,"code":640,"shortname":641,"liveURL":642,"alias":643,"region":644,"channelId":27},"34338","RCF Nièvre","RCF58","Nièvre","\u002F\u002Frcf.streamakaci.com\u002Frcf58.mp3","\u002Fnievre",{"id":645,"name":646},"34170","Bourgogne-Franche-Comté","https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F70c199755ed84b66f096dfbd779768a3f69badc4088773faee5c20689d00412a.mp3",{"podcast_not_roll":48},{"type":11,"id":650,"title":651,"alias":652,"digas":653,"published":654,"datetime":655,"presenters":656,"visual":657,"show":658,"duration":659,"radios":660,"audio_file":663,"rolls":664},"564022","Mozart : 23ème concerto pour piano (2\u002F2)","\u002Fculture\u002Fcapriccioso?episode=564022","NV-63612","26 janvier 2026","2026-01-26T00:00:00+01:00",[626],{"alt":628,"url":629,"url_carre":28,"copyright":28},{"id":631,"title":632,"alias":633,"code_emission":634},"1713312",[661],{"id":638,"name":639,"code":640,"shortname":641,"liveURL":642,"alias":643,"region":662,"channelId":27},{"id":645,"name":646},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002Fdfabb1a2c46a32f0cf9a517e6bd944df72439f0d0e2e21b77f8edabb702d7119.mp3",{"podcast_not_roll":48},{"type":11,"id":666,"title":667,"alias":668,"digas":669,"published":670,"datetime":671,"presenters":672,"visual":673,"show":674,"duration":675,"radios":676,"audio_file":679,"rolls":680},"564025","Mozart : 23ème concerto pour piano (1\u002F2)","\u002Fculture\u002Fcapriccioso?episode=564025","NV-63610","19 janvier 2026","2026-01-19T00:00:00+01:00",[626],{"alt":628,"url":629,"url_carre":28,"copyright":28},{"id":631,"title":632,"alias":633,"code_emission":634},"1663584",[677],{"id":638,"name":639,"code":640,"shortname":641,"liveURL":642,"alias":643,"region":678,"channelId":27},{"id":645,"name":646},"https:\u002F\u002Faudio.audiomeans.fr\u002Fguid\u002F{source_code}\u002F\u002F6a7e38c8f8cd3ad2cb40b32262341c45250e7502c395c59096ec4f38c08ccf24.mp3",{"podcast_not_roll":48}]